دانلود کتاب A Boy Named Sue: Gender and Country Music

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Contents\nForeword: Muddying the Clear Water: The Dubious Transparency of Country Music\nAcknowledgments\nIntroduction\nBibliography and Further Reading\n“Bury Me Beneath the Willow”: Linda Parker and Definitions of Tradition on the National Barn Dance, 1932–1935\n“Spade Doesn’t Look Exactly Starved”: Country Music and the Negotiation of Women’s Domesticity in Cold War Los Angeles\nCharline Arthur: The (Un)Making of a Honky-Tonk Star\nI Don’t Think Hank Done It That Way: Elvis, Country Music, and the Reconstruction of Southern Masculinity\n“I Wanna Play House”: Configurations of Masculinity in the Nashville Sound Era\nPatsy Cline’s Crossovers: Celebrity, Reputation, and Feminine Identity\nDancing Together: The Rhythms of Gender in the Country Dance Hall\nBetween Riot Grrrl and Quiet Girl: The New Women’s Movement in Country Music\nGoing Back to the Old Mainstream No Depression, Robbie Fulks, and Alt.Country’s Muddied Waters\nPostlude\nNotes\nContributors\nIndex\n A\n B\n C\n D\n E\n F\n G\n H\n I\n J\n K\n L\n M\n N\n O\n P\n R\n S\n T\n U\n W\n X\n Y