دانلود کتاب Conflict and Controversy in Small Cinemas

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Cover Table of Contents Janina Falkowska Introduction Part 1: Politics in Small Cinemas 1. A call for freedom in the Spanish cinema (from a local perspective) (Iwona Kolasińska-Pasterczyk) 2. The troubled image: The conflict in Northern Ireland as seen by the Irish and the British (Karolina Kosińska) 3. Are they terrorists or victims? Basque cinema, violence and memory (Katixa Agirre) 4. A traditional stereotype for modern Spanish politics: The Basque pro-independence coalition Herri Batasuna and its depiction in cinema (Gorka Etxebarria / Josu Martinez) 5. New content and aesthetics in small cinemas: The case of the Basque-language films 80 egunean and Loreak (Iratxe Fresneda / Amaia Nerekan) 6. The image of living of local people in the film Timbuktu: Between the literal and the symbol (Paulina Cichoń) Part 2: Gender and Sexuality 7. Tourists, migrants and travellers: The role of women in reshaping Slovak (cinematic) identity (Jana Dudková) 8. Reality of corporeality: Female corporeality in recent Slovak social film dramas (Katarína Mišíková) 9. Before coming out: Queer representations in contemporary Polish cinema (Sebastian Jagielski) 10. To be or not to be yourself: Turkish diaspora and the foreign land – stereotypes, nation and (hetero)norms (Bartłomiej Nowak) Part 3: Stereotypes and Social Polarities 11. Exposed and concealed Roma conflict: Representation of contemporary Roma conflicts in Czech Republic, Slovakia, Poland and Hungary (Jadwiga Hučková) 12. Stereotypes and attempts at challenging them in Papusza (2013) by Krzysztof Krauze and Joanna Kos-Krauze (Iwona Grodź) Part 4: Theory and Small Cinemas 13. Migrants and exiles in the films by Katarzyna Klimkiewicz (Krzysztof Loska) 14. From controversy to contemplation: The thematic areas of the new Japanese avant-garde and experimental film in comparison to the “old masters” of Japanese avant-garde (Agnieszka Kiejziewicz) 15. Mockumentary cinema and its political might: Self-reflexivity and carnivalesque in the films of Michael Moore and Sacha Baron Cohen (Janina Falkowska) Part 5: Aesthetics of New Small Films 16. De-centered subversion: Hukkle and the challenging of revisionist historiography (Phil Mann) 17. “I don’t know”: Linking past and present, the personal and the nation, and movement in Sterlin Harjo’s This May be the Last Time (Chris LaLonde) 18. Post-industrial landscape in the “Silesian cinema”: Between the aesthetic and cultural experience (Ilona Copik) 19. Once upon a time there used to live a people… Neighborhooders and The Heritage as fairy tales about the Polish “excluded” (Marta Stańczyk)