دانلود کتاب Elements of sonata theory: norms, types, and deformations in the late-eighteenth-century sonata

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Frontmatter\nTerms and Abbreviations (page xxv)\nAbout the Authors (page xxix)\nONE Contexts (page 3)\nTWO Sonata Form as a Whole: Foundational Considerations (page 14)\nTHREE The Medial Caesura and the Two-Part Exposition (page 23)\nFOUR The Continuous Exposition (page 51)\nFIVE The Primary Theme (P) (page 65)\nSIX The Transition (TR) (page 93)\nSEVEN The Secondary Theme (S) and Essential Expositional Closure (EEC): Initial Considerations (page 117)\nEIGHT S-Complications: EEC Deferral and Apparent Double Medial Caesuras (TMB) (page 150)\nNINE The Closing Zone (C) (page 180)\nTEN The Development (Developmental Space) (page 195)\nELEVEN The Recapitulation (Recapitulatory Space; Recapitulatory Rotation) (page 231)\nTWELVE Non-Normative Openings of the Recapitulatory Rotation: Alternatives and Deformations (page 255)\nTHIRTEEN Parageneric Spaces: Coda and Introduction (page 281)\nFOURTEEN Sonata Form in Minor Keys (page 306)\nFIFTEEN The Three- and Four-Movement Sonata Cycle (page 318)\nSIXTEEN Sonata Types and the Type 1 Sonata (page 343)\nSEVENTEEN The Type 2 Sonata (page 353)\nEIGHTEEN Rondos and the Type 4 Sonata (page 388)\nNINETEEN The Type 5 Sonata: Fundamentals (page 430)\nTWENTY The Type 5 Sonata: Mozart\'s Concertos (R1: The Opening Ritornello) (page 469)\nTWENTY-ONE The Type 5 Sonata: Mozart\'s Concertos (Solo and Larger Expositions: Solo 1 + Ritornello 2) (page 496)\nTWENTY-TWO The Type 5 Sonata: Mozart\'s Concertos (Development and Recapitulation: From Solo 2 through Ritornello 4) (page 563)\nAppendix 1. Some Grounding Principles of Sonata Theory (page 603)\nAppendix 2. Terminology: \"Rotation\" and \"Deformation\" (page 611)\nBibliography (page 623)\nIndex of Names (page 633)\nIndex of Works (page 639)\nIndex of Concepts (page 649)