دانلود کتاب Fashion and Museums: Theory and Practice

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Cover page\nHalftitle page\nSeries page\nTitle page\nCopyright page\nCONTENTS\nLIST OF ILLUSTRATIONS\nNOTES ON CONTRIBUTORS\nINTRODUCTION: UNDERSTANDING FASHIONAND DRESS MUSEOLOGY\n The attraction of the new, the obvious, and the popular\n Fashion and dress in museums: past and present\n Fashion museology as a “new museology” controversy\n Past dress—future fashion?\n Introducing the book\n Notes\n References\nSECTION 1 THE POWER OF FASHION: WHEN MUSEUMS ENTER NEW TERRITORY\n 1 THE COSTUME INSTITUTE AT THE METROPOLITAN MUSEUM OF ART: AN EVOLVING HISTORY\n Ambition and innovation in avagrant collection\n Early exhibitions at The Metropolitan Museum of Art\n The Vreeland era\n The academic and the cinematic\n References\n 2 UNDERSTANDING FASHION THROUGH THE MUSEUM\n Establishing fashion as a cultural phenomenon in art museums\n Fashion as popular culture: a new vision, a new approach\n Fashion studies and their influence on the fashion exhibition\n Conceptual fashion: explaining the idea behind the object\n Fashion, storytelling, and experience design\n Conclusion\n Notes\n References\n 3 CONTEMPORARY FASHION HISTORY IN MUSEUMS\n Only a terminological issue?\n Fashion designing the museum\n Curating (with) the fashion designer\n The “new” fashion history and its objects\n Concluding remarks\n Notes\n References\n 4 APPRAISED, DISPLAYED, AND CONCEALED: FASHION PHOTOGRAPHY ON THE SWEDISH MUSEUM STAGE\n Two art and design museums\n Two cultural historical museums\n Collecting, displaying, and concealing\n The art of display\n In conclusion\n Notes\n References\nSECTION 2 FASHION CONTROVERSIES: WHEN BODIES BECOME PUBLIC\n 5 GENDER CONSIDERATIONS IN FASHION HISTORY EXHIBITIONS\n The gallery of fashion\n Museums, fashion, and gender\n The self-styled consumer\n Tasteful consumption: the uses of fashion in art education\n Conclusion\n References\n 6 CLASS AND GENDER IN A MUSEUM COLLECTION: FEMALE SKIWEAR\n Fieldwork in the past\n Outdoor life on skis\n Winter sports and bourgeois fashion apparel\n Female ski runners in “Lapp costumes”\n Twin sisters Wiking ahead of their time\n Short skirts hide the breeches\n Sports and skiwear in vogue\n Skiwear for everybody\n Full-length, wide trousers\n Conclusion\n References\n 7 EXHIBITING THE BODY, DRESS, AND TIME IN MUSEUMS: A HISTORICAL PERSPECTIVE\n Dress, body, and time\n Dress collections and exhibitions in Scandinavian museums\n The Swedish System\n The dressed figure: a mounted mannequin inscribed with class, gender, and the history of style\n The ideal of the discrete dressed figure\n In conclusion\n Notes\n References\nSECTION 3 IN PRACTICE\n 8 FROM MUSEUM OF COSTUME TO FASHION MUSEUM: THE CASE OF THE FASHION MUSEUMIN BATH\n Bath\n The Assembly Rooms\n Doris Langley Moore\n The collection\n Presenting the collection\n Conclusion\n Notes\n Reference\n 9 COLLECTING PRACTICE: DESIGNMUSEUM DANMARK\n The fashion, dress, and textile collectionat Designmuseum Danmark and the criteria of collecting\n The definition of fashion and dress in relation to the practice of collecting\n Some examples of the relationship between textile, dress, and fashion in the collection at Designmuseum Danmark\n The challenges\n Introducing a new all-inclusive collecting policy at Designmuseum Danmark\n Conclusion\n Notes\n References\n 10 ENGAGING THE PUBLIC INISSUES OF DRESS AND IDENTITY: A CASE STUDY OF AMAGERMUSEET IN DENMARK\n The Amager dress collection\n How we got from country bumpkin to saggy pants\n Dressed 1: the folk dress and the notion of the “country bumpkin”\n Dressed 2: the uniform\n Dressed 3: breaking the rules\n Dressed 4: the alternative Amager folk dress\n Dressed 5: “I am so tired of being hot!”\n Perceptions and responses to the exhibition\n Notes\n References\n 11 LEARNING THROUGH FASHION: THE NORWEGIAN MUSEUM OF SCIENCE AND TECHNOLOGY\n The educational program “Sources of Knowledge”\n Theoretical approaches\n The four boxes\n On consumption\n On production\n On checks\n Fashion for everyday use\n References\n 12 AUTOBIOGRAPHY AS A PROPOSED APPROACH TO A FASHION EXHIBITION\n The fashion autobiography in contemporary media\n Realizing a fashion autobiography in exhibition form: the “Hotel” project\n Conclusion\n Notes\n References\nIN CONCLUSION: MUSEUMS DRESSED IN FASHION\n City branding and tourism\n Visibility and bodily image\n Dress museology\n Fashion museology\n Overcoming the controversy\n Notes\n References\nINDEX