دانلود کتاب Hindi Film Songs and the Cinema

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Cover Half Title Title Page Copyright Page Contents List of Figures List of Music Examples Preface Acknowledgments 1 The Cinematic Study of Hindi Film Songs Introduction Previous scholarship on Hindi film songs The ‘reel’ world of Hindi film songs Fieldwork Outline 2 The Production Process of Hindi Film Songs The production process of the Hindi film Composing the songs Musical traditions The role of the parent film The role of musical and cinematic tradition and convention Recording Audio Value Filming the songs Conclusions 3 The Musical Style of Hindi Film Songs Arnold’s analysis of film song style Musical structure Rhythm and meter Scale Patterns Predominance of vocal melody Orchestration Vocal style Eclecticism A degree of fantasy and unauthenticity What is film song style? The cinematic dimension of film song style Cinematic situation in film songs The historical development of film song style in cinematic context The uniqueness of film song style Situational changes Background music in Hindi film songs A uniquely cinematic and multimedia style The double life of film songs 4 Music, Narrative and Meaning in Hindi Films An understanding between Bollywood and Hollywood? Western and Hollywood music in Hindi films – some examples Musical Universals? Some remarks on music and meaning Beyond Hollywood hegemony Patterns in the use of Western music in Hindi films Narrative stasis versus progression in Hindi film music Scenes of disturbance and distortion Concluding remarks 5 The Commercial Life of Hindi Film Songs The first few years of sound film The early 1930s to the mid-1980s – The gramophone era Film songs on gramophone record The marketing of film songs in the gramophone era The commercial profitability of film song during the gramophone era The 1980s-2000: The cassette revolution and the spread of television The impact of cassettes The marketing of film songs in the cassette era The profitability of film songs in the cassette era 2000 and beyond: From boom to bust Concluding remarks 6 The Audience Reception of Hindi Film Songs in and beyond the Parent Film The popularity of film songs Audience contact with film songs The primary release of film songs The secondary release of film songs The appropriation of film songs by audiences Film songs in everyday life. With the song Yah dosti from Sholay (1975), he continues From keen amateurs to professionals and aspiring professionals Film songs and traditional musical genres Concluding remarks Conclusions Bibliography Filmography List of Interviews Glossary of Indian Terms Index