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Image-Thinking: Artmaking as Cultural Analysis (Refractions)

دانلود کتاب Image-Thinking: Artmaking as Cultural Analysis (Refractions)

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کتاب تصویر-تفکر: هنرسازی به عنوان تحلیل فرهنگی (انکسارها) نسخه زبان اصلی

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نام کتاب : Image-Thinking: Artmaking as Cultural Analysis (Refractions)
ویرایش : 1
عنوان ترجمه شده به فارسی : تصویر-تفکر: هنرسازی به عنوان تحلیل فرهنگی (انکسارها)
سری :
نویسندگان :
ناشر : Edinburgh University Press
سال نشر : 2022
تعداد صفحات : 481
ISBN (شابک) : 1474494226 , 9781474494229
زبان کتاب : English
فرمت کتاب : pdf
حجم کتاب : 7 مگابایت



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Cover
Half-title
Refractions series
Title
Copyright information
Contents
List of Figures
Series Editor’s Preface
Author’s Preface
Acknowledgements
Prologue: Iconomania – On the Thinking-Image and Madness
1. Introduction: Making as Thinking, and vice versa
Material Image-Thinking
Searching for a Term
Image-Thinking for Thought-Images
Thresholds: The Merging of Thinking, Imagining and Imaging
Overview of Chapters
Part I: Keys to Intermediality
2. Time-Space: Spatialising Film
Introduction: Beginning Becomes Entrance
Political Spacetime: Film in the Gallery
Social Relevance: Madness to Learn From
Forms of Madness
Beginning
Storybook
Picture Book
Working Through and Overcoming Iconography
‘Schizophrenia’: Two Sides to Every Story, Two Figures in Every Life
A Sense of an Ending
3. Who Speaks the Film, in Documentaries? A Thousand and One Voices
Introduction: Subject, Source, Speaker
Migratory Aesthetics and the Trouble with Voice
Voice and the Documentary Tradition
Murmuring Voices: Intimacy and Hybridity Within
Phantom Sentences
Dispersal of Voice
The ‘Other’ Tradition and Cultural Belonging
Beyond Aristotelian Time
Travelling Forking Paths
4. Multi-tentacled Time: Contemporaneity, Heterochrony, Anachronism for Pre-posterous History
Introducing Time’s Thought-Image: An Octopus
Togetherness in Time
Heterochrony Caught in the Act
From Anachronism to Pre-posterous History
It’s About Time!
5. Making Up, Making As: Fiction and/in/with Reality
Introduction: Think Again!
Becoming Vera in Free Indirect Discourse
Thinking in Film
Why Imaging and/or Thinking Move
Mastery, in Doubt
From Impatience as Lifestyle to Mis-Encounters
After-Effects and Pre-Figurations
Part II: Special Issues, Special Pleading
6. Showing Trauma? Difficulty and Necessity
Looking at Photographs
Trauma Predicaments
Alone Within Himself: Drama versus Narrative
Impossible Storytelling: Towards the Cinematic
A Way Out?
7. Agency, Facing
Introduction: Facing Migration
Abandoning Control
The Triple Act of Facing
Ideologies of the Face
Intercultural Ethics: Relationality across Gaps
Pre-posterous Time
Facing Restraint
Facing Speech
For Critical Freedom
8. Cultural Citizenship vs Identity
Introduction: Citizenship Political, Colonial, Cultural
Becoming French in Cameroon and African in Russia
Becoming Pushkin
Pre-posterous Encounters of the Third Kind
Reality in Fiction
Memory, Nostalgia, Exile
Encounters of Cultural Citizenships
Impossible Cultural Citizenship
9. Affect as an Artistic-Political Strategy
Introduction: The Point of Affect
From ‘Madame Bovary c’est moi’ to ‘Emma Is Us’
Ambiguous Focalisation: Suspending Judgement
What Is Focalisation?
An Illness We All Have: Emotional Capitalism
Empathy: Siding with the Dying
Affective Things?
The Experience of Feeling-Looking
The Anthropomorphic Imagination
Affect, Medium and Mood
10. By Way of Conclusion – For Memory: Dis-remembered, Mis-remembered
Introduction: Meandering Through Memory Thought
Making Acts of Memory: Responsibility in the Present
Reunion, Resilience, Resistance
What Kinds of Memory Matter?
Failing the Past is Failing the Present
For a Different Mode of Thinking
Author’s Filmography
References
Selective Index of Names and Titles
Selective Index of Terms and Concepts




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