دانلود کتاب Mapping Precarity in Contemporary Cinema and Television: Chronotopes of Anxiety, Depression, Expulsion/Extinction

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Mapping Precarity in Contemporary Cinema and Television
Preface
References
Acknowledgements
Contents
Part I: Anxiety
Chapter 1: Introduction: A Film-Philosophy for the Age of Precarity
The Economy of Precarity
Anxious, Depressed, and Disposable/Extinct Lives on Screen
Is There Something Our Bodies Can Do?
Chapter Outlines and Limitations
References
Chapter 2: Sorry to Bother You: Visualising the (Embodied) Soul at Work
References
Chapter 3: From Welfare to Workfare: I, Daniel Blake and The Measure of a Man
References
Chapter 4: Fish Tank: Cinematic Performances of Femininity
References
Chapter 5: Himizu: The Precarisation of Education and Social Relations
References
Chapter 6: Black Mirror and Nosedive: Becoming Algorithm
References
Part II: Depression
Chapter 7: Kelly Reichardt: Film Chronotopes of the Precarious Northwest
References
Chapter 8: Italian Peripheral Cinema: Boys Cry and Don’t Be Bad
References
Chapter 9: Gig Workers and Emotional Labour: Sorry We Missed You, Araby, Two Days, One Night
References
Chapter 10: Social Reproduction and Cinematic Care-Work: The Cases of Roma and The Chambermaid
References
Chapter 11: China Is Purest Capitalism: The Cinema of Jia Zhangke
References
Part III: Expulsion/Extinction
Chapter 12: Parasite, or The Economy of Massacre
References
Chapter 13: Border as Method and Precarious Cinematic Citizenships: Mediterranea, Wind River, and Junction 48
References
Chapter 14: Extraction and Confinement in Show Me a Hero and Orange Is the New Black
References
Chapter 15: Expulsed Childhoods: A Ciambra and The Florida Project
References
Chapter 16: Cinematic Memories of an Infected Planet: Beasts of the Southern Wild
References
Chapter 17: Conclusions
References
Index