دانلود کتاب Maxwell, Sutton and the Birth of Color Photography: A Binocular Study

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Front Matter....Pages i-xiv
Introduction: Shared Media, Differing Projects and Projections....Pages 1-16
Enter Maxwell....Pages 17-21
Photographic Illustrations....Pages 22-33
What Objectivity? Whose Objectivity? Automatic Objectivity Is Social and Scientific....Pages 34-46
Photography Organized, Mechanized and Scientific: From Amateurs to Professionals....Pages 47-58
Photography as Instrument and Profession: Art versus Science....Pages 59-66
Photographic Collaborations: Two More Cases....Pages 67-72
Maxwell’s Pictorial and Photographic Background....Pages 73-80
Methodology of Experimental Inaction....Pages 81-86
Enter Sutton....Pages 87-96
The Place of Collaboration and Chemistry between Men....Pages 97-107
Technologies of Projection and Color: Different Problems and Images. Color and Truth....Pages 108-130
A Tale of Two Experiments: From Professional to Cognitive Autonomy....Pages 131-140
Photographic Consequences....Pages 141-144
Conclusion....Pages 145-147
Back Matter....Pages 148-165