دانلود کتاب Musical Culture and the Spirit of Irish Nationalism, 1848–1972

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Cover Half Title Series Page Title Copyright Dedication Contents List of Figures Acknowledgements List of Abbreviations Introduction: “Ballads Have Long Lost Their Revolutionary Powers” PART 1 Nationalism, 1848–1913 1 “Oh, What Matter, When for Erin Dear We Fall?”: Fenianism, Radical Nationalism and the Irish Soundscape 2 Appropriating Radicalism: Nationalist Music and Home Rule 3 Gaelicising “The Seonín Maids of Eirinn”: The Politics of Ireland’s Musical Revivals PART 2 Revolution, 1913–1923 4 “Great Men and Straight Men”?: Music, Radicalisation and Revolution, 1913–1921 5 “Oh, How We Worship Our Dora”: Seditious Singing and British Laws 6 “We Thought We Fought for Ireland”: Music and the Civil War PART 3 Independence, 1923–1972 7 “Three-Quarters of a Nation Once Again”: Music and Party Politics 8 “Folk Music Alone Will Not Supply Our Needs”: Music and Cultural Nationalism PART 4 Partition, 1923–1972 9 “This Morning a Man Was Hanged. This Evening We Had a Concert”: Music, Nationalism and Northern Ireland, 1923–1967 10 “For the Most Part We Played Rebel Songs”: Music and Civil Rights 11 “Ireland for the Irish, We Shall Not Be Moved”: Music and the Troubles PART 5 Dance 12 Inventing the Irish Dancer, 1848–1923 13 “Jazzing the Soul of the Nation Away”: Dance and Dissent, 1923–1935 14 Modernising Irish Dance, 1935–1972 Conclusion: Nationalist Communities, Revolution and Musical Mischief Bibliography Discography Filmography Index