دانلود کتاب Performance Costume: New Perspectives and Methods

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Cover\nContents\nList of Illustrations\nNotes on Contributors\nForeword Maija Pekkanen\nForeword Simona Rybáková\nAcknowledgements\nIntroduction Activating Costume: A New Approach to Costume for Performance Sofia Pantouvaki and Peter McNeil\nSection 1 Interpreting and Curating Costume\n 1.1 Real or Virtual? Studying Historical Costume Drawings and Sketches Margaret Mitchell\n 1.2 Cooking: Studying Film Costume Design Drake Stutesman\n 1.3 Displaying Stage Costumes: Exhibitions at the National Centre for Stage Costume, France Delphine Pinasa\nSnapshots\n 1.4 Cross-Cultural Costume Research: Beijing Opera Costumes Alexandra B. Bonds\n 1.5 Reading Maltese Carnival Costumes Vicki Ann Cremona\n 1.6 Curating Costume: Reflection Aoife Monks\nSection 2 Personalities in Costume\n 2.1 Costume Centre Stage: Re-membering Ellen Terry (1847–1928) Veronica Isaac\n 2.2 ‘On and Off the Stage’: Costume, Dress and Locating the Actor-Manager’s Identity, 1870–1900 Helen Margaret Walter\n 2.3 Extravagance, Expense and Notoriety in Costume: Gaby Deslys and Parisian Modernity on the American Stage, 1911–14 Emily Brayshaw\nSnapshots\n 2.4 A Foreign Affair On and Off Screen Christina M. Johnson\n 2.5 Recording Costume Design in the Theatre and Performance Collections at the V&A: Vivien Leigh and Oliver Messel Keith Lodwick\nSection 3 Costume Voices, Costume Histories\n 3.1 The First Premiere and Other Stories: Towards a History of the Costume Design Profession in Finland Joanna Weckman\n 3.2 Spinning Yarns: Locating, Learning and Listening in the Social World of Popular Hindi Film Costume Production Clare M. Wilkinson\nSnapshots\n 3.3 Hollywood Costume: A Journey to Curation Deborah Nadoolman Landis\n 3.4 ‘The Getting of Wisdom’: Learning from Anna Senior Jennifer Gall\n 3.5 Design for Television: Costume and Contemporary Clothing Chrisi Karvonides-Dushenko\nSection 4 Costume and the Body\n 4.1 The Body as the Matter of Costume: A Phenomenological Practice Donatella Barbieri\n 4.2 The Body as Site: Interdisciplinary Approaches to Dress in/as Performance Jessica Bugg\n 4.3 ‘Aware-Wearing’: A Somatic Costume Design Methodology for Performance Sally E. Dean\nSnapshots\n 4.4 Costuming the Foot: A Designer/Performer’s Personal Artistic Methods Alexandra Murray-Leslie\n 4.5 Costume and the Modernist Body: Fashioning August Strindberg Viveka Kjellmer\nSection 5 Costume and its Collaborative Work\n 5.1 Building Costumes, Building Language in the Costume Workshop Madeline Taylor\n 5.2 Fitting Threads: Embodied Conversations in the Costume Design Process Suzanne Osmond\nSnapshots\n 5.3 Haptic Descriptions: Costume Design by Gillian Gallow and April Viczko Natalie Rewa\n 5.4 The Costume Designer’s ‘Golden List’ of Competence Christina Lindgren\nSection 6 Costume and Social Impact\n 6.1 Exploring Rossini’s Berta: Young Audiences and the Agency of Opera Costume Sofia Pantouvaki\n 6.2 Designing Hospital Clown Costumes: Psychological and Social Benefits for Finnish Children’s Healthcare Merja Väisänen\n 6.3 Costume of Conflict Mateja Fajt\nSnapshots\n 6.4 From Effect to Affect: The Costumed Body and the Autistic Child Melissa Trimingham\n 6.5 Designing Tsunami: Costume Evolution from Documentary to Surrealist Michiko Kitayama Skinner\n 6.6 The Collaborative Process of Costume Creation: Travestis in São Paulo Fausto Viana\nIndex