دانلود کتاب Portraiture in South Asia Since the Mughals: Art, Representation and History

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Cover\nAuthor Biography\nTitle Page\nCopyright\nContents\nList of Illustrations\nAcknowledgements\nNote on Transliteration and Conventions\nList of Contributors\nIntroduction Portraiture in South Asia\n What is a Portrait in South Asia?\n Court Portraiture in Mughal India\n Portraying the Ideal Rajput\n What were Portraits for?\n Colonial Modernity and Court Portraiture in South Asia\n1. Portrait or Image? Some Literary and Terminological Perspectives on Portraiture in Early India\n The Prevalence of Portraiture in Early India\n Literary Testimonies and Vocabulary\n Narratives of the Origins of Portraits and Images\n2. Tracing the Rise of Mughal Portraiture: The Kabul Corpus, c. 1545–55\n Introducing the Kabul Corpus (c. 1545–55)\n Individual Portraits\n Portraits within Larger Compositions\n The Paintings’ Raison d’etre: Presentation Pieces for the Nawroz Festival?\n Approved Likenesses and Master Drawings\n The Timurid-Safavid Legacy\n Conclusion\n3. Jahangir as Publius Scipio Maior: The Commensurability of Mughal Political Portraiture\n The European Connection\n The Standing Portrait\n Jahangir as the Queller of Rebellion\n Archduke Matthias as Publius Scipio Maior\n The Standing Portrait before a Landscape under Shah Jahan\n Jahangir and Archduke Matthias in Political Crisis\n Commensurability or Incommensurability?\n4. Portraits in the Mirror: Living Images in NāṢir ‘Alī Sirhindī and Mīrzā ‘Abd al-Qādir Bīdil\n Nāṣir ‘Alī Sirhindī’s Naqqāsh u ṣūrat\n The Story of Bīdil’s Portrait\n Conclusion\n5. Becoming the Hero: Metamorphosis of the Raja\n6. The Prevalence of Portraiture in the Development of the Devgarh Style\n7. Heroic Rulers and Devoted Servants: Performing Kingship in the Tamil Temple\n Performing Devotion on Venkatam Hill\n Dynastic Genealogies on Display in Nayaka Madurai\n Portraiture and Pilgrimage to Rameshvaram\n New Royalty and Temple Portraiture in Colonial Madras Presidency\n Conclusion\n8. Village Portraits in William Fraser’s Portfolio of Native Drawings\n The Road to Delhi\n A Gentlemen Settler for Delhi\n Shaping Boundaries, Mapping Figures\n Delineating the Immeasurable: Rania and Pastoral Portraiture\n Capturing a Likeness\n Empiricism of the Heart\n The Delhi Artist between Court and Company\n9. The Role of Portraiture in Pakistani Contemporary Miniature Painting: The ‘Mughal Connection’\n Chance\n Artists\nBibliography\nIndex