دانلود کتاب Pre-web Digital Publishing and the Lore of Electronic Literature

فهرست مطالب :

Cover Title page Copyright page Pre-web Digital Publishing and the Lore of Electronic Literature Contents 1 Introduction 1.1 Conceptual Framework and Terminology 1.2 Digital Modernism and Social Materialism 1.3 Methodology 2 Between Paradigms 2.1 Publishing at the Turn of the Millennium 2.2 Digi-modernist Little Magazine 2.3 Product Concept and Business Model 2.4 Material Forms and Processes 2.5 Copyright, Contracts, and Royalties 2.6 Building a Community 2.7 Between a Rock and a Hard Place 3 The Works 3.1 Poetry 3.1.1 Jim Rosenberg: Folding Visual Language Space 3.1.2 “Into an Alien Ocean”: Kathy Mac’s “Unnatural Habitats” 3.1.3 “The Shattered Eye Sees Deeper”: Rob Swigart’s “Directions” 3.1.4 “What’s in Here out There”: Edward Falco’s Sea Island 3.1.5 “Iron Weights Swinging from Their Pricks”: Richard Gess’s “Mahasukha Halo” 3.1.6 “Seasoned Heart” and “Love’s Deserts”: Robert Kendall’s“ A Life Set for Two” 3.2 Short Fiction 3.2.1 “Longing for Morning”: Mary-Kim Arnold’s “Lust” 3.2.2 “That’s All She Wrote”: J. Yellowlees Douglas’s “I Have Said Nothing” 3.2.3 “Obsessive Fragmentation”: Kathryn Cramer’s “In Small & Large Pieces” 3.2.4 “[I]t Doesn’t Matter because It’s Me”: Judith Kerman’s“ Mothering” 3.2.5 Dodging the Storyspace Bug: Deena Larsen’s “Century Cross” 3.2.6 A “Scotomic Episode”: Michael van Mantgem’s “Completing the Circle” 3.2.7 “The Path of Madness”: Richard Smyth’s “Genetis: A Rhizography” 3.3 Nonfiction 3.4 Print Paratexts 4 Conclusion Appendix Technical Details of Individual Eastgate Quarterly Review of Hypertext Works Glossary References Acknowledgments