دانلود کتاب Small Cinemas of the Andes: New Aesthetics, Practices and Platforms

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Acknowledgments
Translators’ Notes
Contents
Notes on Editors
Notes on Contributors
1 Introduction: Theorizing and Contextualizing Small(er) Cinemas of the Andes
Contemporary Notions of “Small Cinemas” and “The Andes”
Organization of This Volume
Part I: Filming Smaller Nations
Part II: Emergent Forms of Community Cinema
Part III: Guerrilla, Regional and Peripheral Cinemas
Conclusion
Bibliography
Part I Filming Smaller Nations
2 Filming the Andes: Contemporary Aesthetic Configurations of the Andean World
The Construction of Andean Time in Cinema: Wiñaypacha
Intercultural Dramas: Retablo (Altarpiece) and Killa
Nonfiction in the Andean World: La sinfónica de los Andes
Conclusion
Bibliography
3 Technological Appropriation and Audiovisual Sovereignty in an Indigenous Key
Introduction
Visuality and Indigeneity
The Right to the Production of One’s Own Images
Reappropriations
The Cellphone and Spiritual Parents
Yuruparí Contact Lenses
New Jais for the Present
What Electronics Don’t Pick Up
To Watch or Not to Watch Television, That Is the Question
Technological Cannibalisms
Audiovisual Sovereignty
Concluding Remarks
Bibliography
4 Indigenous Audiovisual Producers of Ecuador: An Integral Practice of “Cosmovivencia”
Indigenous Organization in Ecuador
CORPANP’s First Audiovisual Creations
Working with CLACPI
Cosmovivencia, an Integral Practice
Being Runa, Being Mapuche, Being Nasa
The Exercise of Self-Determination
Toward the Filmic Path Through Audiovisual Means
Bibliography
5 Indigenous Audiovisual Practices, Post-National Discourses and Poetics of the Small
Introduction
Key Concepts
Indigenous Video in Ecuador
Kichwa Film Aesthetics
Art, Video and Andean Cosmovisions
Poeticizing Technologies
Indigenous Visuality and Poetics of the Small
Bibliography
6 Audiovisual Practices and Production of the Commons
Introduction
Theoretical and Historical Overview
Cinema at Service of the People
The Paradigm of Popular Communication: Practice Before Theory
Indigenous Video: Beyond Ethnographic Cinema
Communication in Community and the Specter of Developmentalism
The Commons (Lo Común) is Produced, the Audiovisual is Practiced
Audiovisual Practices as Production of the Commons
Bibliography
Part II Images of the Small Community
7 Recovering One’s Own Voice to Redefine What is Visible, Desirable and Possible: La Escuela Audiovisual Al Borde
Discovering that Our Stories Are Worth Telling
The Embodied Dissident Gaze: Desire at the Service of Another Vision
At the Edges of Small Cinemas
Narrating from the Dissident Experience: Saying “I” in Order to Say “We.”
Making Autobiographical Documentary: A Cinema that Embraces Us
Bibliography
8 Ojo Semilla: Weaving Feminisms Through Community Cinema
Ñañaridad: Our Point of Departure
Toward a Feminist Community Cinema
Ojo Semilla: The Possibility of Creating
Intersecting Pedagogies and Practices
Toward a Feminist Audiovisual Praxis
The Female Gaze: Audiovisual Narratives and Decolonial Aesthetics
The Collective Scripting of Mujer Montaña (Mountain Woman)
Conclusion
Bibliography
9 From the Festival-as-Event to the Festival-as-Process: A Journey Through Community Film Festivals in Colombia
Introduction
Reflecting on Community Cinema Through Its Festivals
Community Film Festivals: Bringing the Peripheries into Focus
Contexts and Emergence of Community Film Festivals in Colombia
Background, Objectives and Significance of Community Film Festivals
Communities of Meaning: Publics and Participants
Community Film Festivals as Territorially-Situated Experiences
Final Considerations
Bibliography
10 Eco-Territorial Cinema: An Intercultural, Translocal, and Expanded Community Process
Community Cinema and the Media Culture of the Eco-Territorial Turn
Small Cinemas, Expanded Community, and Activist Communication Practices
Etsa-Nantu/Cámara-Shuar: Laboratory of Audiovisual Creation
Small Cinemas in the Middle of the Jungle
Small Translocal Cinemas
Conclusion
Bibliography
11 Notes Toward a History of Amateur Filmmaking in Guayaquil
Introduction
Amateur Filmmakers in Guayaquil: Another History of Ecuadorian Cinema
From Augusto San Miguel to Gustavo Valle
Conclusions
Bibliography
12 Ay De Mí Que Ardiendo,…¡Puedo! An Extensive Note on María Galindo’s Bastard Cinema
Bibliography
Part III Guerrilla, Regional and Peripheral Cinema
13 Rethinking Subaltern “Modernities:” El Cine Chonero Popular, 1994–2015
Introduction
Theoretical Background
Chone’s Emergent Audiovisual Sector
Social History
Los Enganchados
Las Montoneras
Los Tauras
A Brief Social History of Cinema in Chone
Chonewood as a “Guerrilla” Cinema and the Politics of Representation
Chonewood Film Analyses
El Destructor Invisible: Remixing Modernities
Sicarios Manabitas: A Postmodern, Montubio Western
Los Raidistas: A Chonero Road Movie
Conclusion
Bibliography
14 Peruvian Regional Cinema
Introduction
Reasons for the Rise of Peruvian Regional Cinema
Profiles of Regional Filmmakers
Production and Filmmaking
Exhibition and Distribution
Genres
Fantasy
Melodrama
Social Realism
Narrative Modes
State Support
The Future of Regional Cinema
Bibliography
15 Minor Cinemas, Major Issues: Horror Films and the Traces of the Internal Armed Conflict in Peru
One Country, Many Cinemas
Horror Zone
Native Peoples and Academic Globalization: Epistemic-Cultural Resistance from Orality
That Other Who Is My Brother: Symbolic Actions of Fratricidal Violence
Sinister Creatures
Violated Bodies
Conclusions
Bibliography
16 Colombian Popular Cinemas: Expressions from and About Violence
Understanding Popular Cinemas
Historicizing Colombian Popular Cinemas
Four Colombian Digital Popular Films
La gorra (2007)
Ajuste de cuentas (2009)
El parche (The Gang) (2009)
El desplazado (2011)
Non-professional Setting, a Door Open for Community Participation and Creativity
Visual Influences: Mainstream Narratives and Aesthetics
Cultural Formations: Patriarchal Structures and the Rise of New Female Roles
Communities’ Concerns About Their Present and Future
Distribution and Reception
Conclusion
Bibliography
17 Images of Difference in Bolivian Cinema
Introduction
Beyond the Nation-State
Marginal Cinema and Peripheral Cinema in Bolivia
Linchamiento (2011) by Ronald Bautista
La chola condenada por su manta de vicuña (Walter and Jaime Machaca 2012)
Conclusions
Bibliography
Index