دانلود کتاب Technè/Technology: Researching Cinema and Media Technologies, their Development, Use and Impact

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Contents\nEditorial\nAcknowledgments\nIntroduction: Researching Cinema and Media Technologies\nPART I Philosophy of Technology: Reassessing Key Questions\nThe Philosophy of Technology in the Frame of Film Theory: Walter Benjamin’s Contribution\nToward an Archaeology of the Cinema/ Technology Relation: From Mechanization to “Digital Cinema”\nTechnē and Poiēsis: On Heidegger and Film Theory\nStiegler’s Post-Phenomenological Account of Mediated Experience\nWhat Are Media?\nPART II Cinema and Media Technologies: Hardware, Software, Wetware\nThe “History of Vision”-Debate Revisited\nWill the 3D Revolution Happen? A Brief Perspective on the Long History of Stereoscopy (with special thanks to Eisenstein and Bazin)\nTelevision’s Many Technologies: Domesticity, Governmentality, Genealogy\nPostmodern Hi-fi vs. Post-Cool Lo-fi: An Epistemological War\nPART III Cinema and Media Technologies: A Historical Context\nMarey’s Gun: Apparatuses of Capture and the Operational Image\nRe-editing as Psychotechnique: Montage and Mediality in Early Soviet Cinema\nTechnophobia and Italian Film Theory in the Interwar Period\nJean-Luc Godard’s Histoire(s) du Cinéma: Cogito Ergo Video\nPerformativity/Expressivity: The Mobile Micro Screen and Its Subject\nPART IV Discussions: Revisiting the Past\nRethinking the Materiality of Technical Media: Friedrich Kittler, Enfant Terrible with a Rejuvenating Effect on Parental Discipline – A Dialogue\nRevisiting Christian Metz’s “Apparatus Theory” – A Dialogue\nPART V Envisioning the Future\nThe Future History of a Vanishing Medium\nExperimental Media Archaeology: A Plea for New Directions\nNotes\nGeneral Bibliography\nNotes on Contributors\nIndex of Names\nIndex of Film Titles\nIndex of Subject