دانلود کتاب The Arabesque from Kant to Comics (Routledge Advances in Art and Visual Studies)

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Cover Half Title Series Page Title Page Copyright Page Contents List of Illustrations Acknowledgments Part 1 Three Beginnings 1 Prologue 2 Forays into a Form Grown Wild: Setting the Stage 3 An Outline (of Things to Come) Part 2 The Arabesque Revolution: Image, Script, and the Crisis of Representation 4 Metaphysics and Media Crisis 5 The Ornament of the Gaze: On Albrecht Dürer 6 The Divine (as) Parergon 7 Ornament, Allegory, Autonomy: Winckelmann, Lessing, Goethe, Karl Philipp Moritz 8 The Disappearance of a Goddess: On Immanuel Kant’s Parergonality Part 3 The Writing on the Wall 9 Art History Painted: Peter Cornelius’s Murals for Munich’s First Picture Gallery, 1827–1840 10 History as Nationalist Vision: Wilhelm Kaulbach’s Murals for Berlin’s Neue Museum, 1847–1865 Part 4 Turning the Page 11 Philipp Otto Runge’s Flypaper: On Intimacy 12 The Poet’s Pencil: On Clemens Brentano and Achim von Arnim 13 Turning the Page: On Eugen Napoleon Neureuther Part 5 Taming the Arabesque 14 The Artist as Arabesque: Wilhelm Schadow as the Modern Vasari 15 The Humorous Arabesque: From Wilhelm Schadow to Karl Leberecht Immermann and Back, via Johann Baptist Sonderland 16 The Arabesque’s Kingdom: Adolph Schroedter and Theodor Mintrop 17 Illustration as Intervention and Parody: On Julius Hübner Part 6 A Symphonic Intermezzo 18 Beethoven, or the Call for Freedom in Composition: On Moritz von Schwind 19 The Laws of Form: On Seriality and Pictures’ Stories Part 7 A Satirical Finale 20 Contagious Laughter: On Pandemics, the Comics’ Birth, and Rodolphe Töpffer 21 “Ach! Poor Venus Is Perdue”: On Wilhelm Busch 22 The Last Act’s Final Flourish Bibliography Index