دانلود کتاب The Theatre of Simon Stephens

فهرست مطالب :

Half Title\nTitle Page\nCopyright Page\nContents\nAcknowledgements\n Copyright acknowledgements\nIntroduction : Contextualization\nChapter 1: Tension: Bluebird (1998) ꞏ Christmas (2003) ꞏ Herons (2001) ꞏ Port (2002) ꞏ Country Music (2004) ꞏ On the Shore of the Wide World (2005)\n The Royal Court, London, and Royal Exchange, Manchester\n Bluebird\n Christmas\n Herons\n Port\n Country Music\n On the Shore of the Wide World\n Conclusion\nChapter 2: Transgression: Motortown (2006) ꞏ Pornography (2007) ꞏ One Minute (2003) ꞏ Harper Regan (2008) ꞏ Sea Wall (2008) ꞏ Punk Rock (2009)\n Motortown\n Pornography\n One Minute\n Harper Regan\n Sea Wall\n Punk Rock\n Conclusion\nChapter 3: Juxtaposition: Wastwater (2011) ꞏ The Trial of Ubu (2010) ꞏ Three Kingdoms (2011)\n Wastwater\n The Trial of Ubu\n Three Kingdoms\n Conclusion\nChapter 4: Contradiction: Morning (2012) ꞏ Secret Theatre (2013–15) ꞏ The Curious Incident of the Dog in the Night-Time (2012)\n Morning\n Secret Theatre\n The Curious Incident of the Dog in the Night-Time\n Conclusion\nChapter 5: Critical Perspectives\n Can’t help falling in love: Simon Stephens’s ‘late’ plays (2014–19)\n Pornography’s European directions: Germany and France\n Nübling’s Pornographie: ‘Surging images’ and ‘small detonators’\n Gutmann’s Pornographie: Hypervisibility and the space of the intimate\n By way of conclusion\n Precursive texts in the work of Simon Stephens: Motortown, Birdland, Punk Rock\n Motortown/Woyzeck/Taxi Driver\n Birdland/Baal\n Punk Rock/Spring Awakening/Elephant\n Conclusion: Towards an adaptive originality\n The directors\nNotes\nBibliography\nIndex