دانلود کتاب Theatres of War: Contemporary Perspectives

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Cover\nContents\nAcknowledgments\nIntroduction: Theatres of War: Contemporary Perspectives\nSection One British, Irish, and American Perspectives on Theatres of War\n 1 “Carry on to the Place of Pain”: Embodiment and Aversion in Sean O’Casey’s The Silver Tassie\n 2 “I Do Want to Take a Man’s Part in this Show”: The Early War Diary as Rehearsal Stage for the Creation and Navigation of the Newly Militarized Masculine Self\n 3 Mothers and Lovers Mourning Fallen Soldiers: Tracing the Shift from Victorian to Interwar Period Mourning in Noël Coward’s Post-Mortem\n 4 The Romans at War: Shakespeare’s Julius Caesar and Antony and Cleopatra on the Nazi Stage\n 5 Eros and Terror in Ernest Hemingway’s The Fifth Column—A Play on theSpanish Civil War Jon Woodson\n 6 The Early African American Theatre of JoshuaMcCarter Simpson during the Civil WarLauri Scheyer\n 7 Performing Trauma: Narratives of Rupture inCaryl Churchill’s Seven Jewish Children Mamata Sengupta\n 8 Two Truths and a Lie: Theatrical Form,Plays about Terrorism, and the Search forUnderstanding Lindsey Mantoan\nSection Two Global Perspectives on Theatres of War\n 1 Unremaking the War: Theatrical Historiographyin Alfian Sa’at’s Tiger of Malaya Kevin Riordan\n 2 Ferenc Molnár’s The White Cloud and the FirstWorld War Márta Pellérdi\n 3 Presenting Picasso Presents: Exploring the Process of Crafting and Staging Historical Docudrama Annika C. Speer and Begoña Echeverria\n 4 War, Tyranny, and Political Sacrifice in Luis Vélez de Guevara’s Más pesar el rey que la sangre y blasónde los Guzmanes Alani Hicks-Bartlett\n 5 Women and War: Seeing Trauma with Theatre Oana Popescu-Sandu\n 6 Wartime Gender Advocacy and Revival of Theatre in Afghanistan Bahar Jalali\nSection Three Perspectives on Black Watch\n 1 Unities, Communities, and Disunities in Gregory Burke’s Black Watch Kate McLoughlin\n 2 Better Break It: A Case Study of Black Watch Christopher Merrill\n 3 Gallant Forty Twa: The National Theatre ofScotland’s Black Watch as Exemplary and Unintentional Political Theatre Shawn Renee Lent\n 4 Black Watch: Revising Scotland’s Militarized Identity Lynn Ramert\n 5 Bringing War Home: Staging the Stories ofSoldiers and Refugees Eva Aldea\nSection Four Perspectives on The Great Game: Afghanistan\n 1 “My Country Has Been Imagined Enough”: The Great Game, Neo-Imperialism, and Gende rEmer O’Toole and Daniel O’Gorman\n 2 The Geography of Identity Reza Aslan\n 3 The Legacy of an Empire Farid Younos\n 4 Imagining the Great Game Christopher Merrill\n 5 The Great Game as Diplomacy: From London to the Pentagon Nicholas J. Cull\n 6 The Freedom of Boredom Shane Belvin\n 7 Narrating Peace and Healing in Multinational Theatres of War: From Ancient Greece to Afghanistan to DARPA Tyler D. Reeb\nContributor Biographies