توضیحاتی در مورد کتاب Visualizing Harbours in the Classical World: Iconography and Representation around the Mediterranean
نام کتاب : Visualizing Harbours in the Classical World: Iconography and Representation around the Mediterranean
عنوان ترجمه شده به فارسی : تجسم بندرها در دنیای کلاسیک: شمایل نگاری و بازنمایی در اطراف مدیترانه
سری :
نویسندگان : Federico Ugolini
ناشر : Bloomsbury Academic
سال نشر : 2020
تعداد صفحات : 245
ISBN (شابک) : 9781350125735 , 9781350125742
زبان کتاب : English
فرمت کتاب : pdf
حجم کتاب : 27 مگابایت
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فهرست مطالب :
Cover\nHalf Title\nTitle\nCopyrights\nContent\nList of Illustrations\nAcknowledgements\nList of Abbreviations\n1 Introduction\n Aim and scope\n Literary review\n A new study of the iconography of maritime representations\n A selection of portable and fixed objects with harbour\r representations\n The organization of this monograph\n2 Alexandria, Rome, Leptis Magna and the Triumphal\r Imagery of Monumental Harbours\n Introduction\n Alexandria\n Portus\n Leptis Magna\n Aspects of monumentality in ancient harbours across the\r Mediterranean\n Monumentality as a source of inspiration and a\r programmatic model for triumphal imagery\n Conclusion\n3 Harbours in Graeco-Roman Art: Symbolism and Identity\r across the Mediterranean\n Introduction\n Symbolic message: Case studies of Rome, Puteoli and\r Leptis Magna\n Ideological message: Representations of the imperial\r and mercantile classes\n Propagandistic message: The iconography of the imperial authority\n Conclusion\n4 Portraying Maritime Cityscapes: An Imperial Perspective\n Introduction\n Claudius and Nero: Monumental infrastructure\n Trajan’s Column: Control over the water\n The Arch of Septimius Severus: Authority\n Military control over the Mediterranean Sea\n Conclusion\n5 The Mercantile Class: Economic Growth and Influence\r during the Imperial Era\n Introduction\n Harbour mosaics as evidence of the economy and trade\n Controlling the sea, sailing the sea: A depiction of a peaceful\r Mediterranean\n Commercial messages behind harbour scenes\n Conclusion\n6 A Postcard from the Ancient Mediterranean: Aspects\r of Euergetism and Paideia in Representations of Maritime Cities\n Introduction\n Public sphere: Representations of safety and security\n Private sphere: Representations of abundance and prosperity\n Sources of inspiration and commission\n The marine environment and visual media: An instrument for\r education in antiquity\n Conclusion\n7 Epilogue: Maritime Cities: An Iconography of Power\n Conclusions\n Symbolism vs reality: The message behind the iconography\r of the maritime world\nNotes\nBibliography\nIndex