دانلود کتاب Vladimir Nabokov and the Fictions of Memory

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Irena Księżopolska, Mikołaj Wiśniewski: INTRODUCTION\nLeona Toker: NABOKOV\'S FACTOGRAPHY\nStephen H. Blackwell: NABOKOV’S CRYPTIC TRIPTYCH: GRIEF AND JOY IN “SOUNDS,” “THE CIRCLE,” AND “LANTERN SLIDES”\nPéter Tamás: VISION AND MEMORY IN NABOKOV’S “A FORGOTTEN POET”\nDana Dragunoiu: TIME, MEMORY, THE GENERAL, AND THE SPECIFiC IN LOLITA AND À LA RECHERCHE DU TEMPS PERDU\nDavid Potter: PARAMNESIA, ANTICIPATORY MEMORY, AND FUTURE RECOLLECTION IN ADA\nAdam Lipszyc: MEMORY, IMAGE, AND COMPASSION: NABOKOV AND BENJAMIN ON CHILDHOOD\nGerard de Vries: MEMORY AND FiCTION IN NABOKOV’S SPEAK, MEMORY\nMikołaj Wiśniewski: MEMORY’S INVISIBLE MANAGERS: THE CASE OF LUZHIN\nAndrzej Księżopolski: TIME, HISTORY AND OTHER PHANTOMS IN THE REAL LIFE OF SEBASTIAN KNIGHT\nIrena Księżopolska: BIOGRAPHER AS IMPOSTOR: BANVILLE AND NABOKOV\nAkiko Nakata: MEMORIES TRICK – MEMORIES MIX: TRANSPARENT THINGS\nCarlo Comanducci: TRANSPARENT THINGS, VISIBLE SUBJECTS\nVyatcheslav Bart: VLADIMIR NABOKOV’S ONTOLOGICAL AESTHETICISM FROM THE RENAISSANCE TO TRANSHUMANISM\nOlga Dmitrienko: REMINISCENCE AND SUBCONSCIOUS SACRALISATION OF THE KIN IN THE GIFT\nTatiana Ponomareva: THE REALITY OF FiCTION IN THE VLADIMIR NABOKOV MUSEUM\nABOUT THE AUTHORS