دانلود کتاب Water, Creativity and Meaning: Multidisciplinary understandings of human-water relationships

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Cover
Half Title
Title Page
Copyright Page
Table of Contents
List of illustrations
Editor biographies
Contributor biographies
Foreword by Veronica Strang
Preface
Acknowledgements
Introduction: a new era for human–water relationships
Distributed creativity, thought-experiments and
‘everyday’ tactics
Watery being-ness that exceeds techno-managerial speak
Dominant discourses of water
Expanded cultural imaginations of water
Introduction to the chapters
References
PART I: Fluid processes: creative research with water
1. Water power: creativity and the unlocking of community knowledge
Geezer power
Active energy
Art, the river and social change
Notes
References
2. This long river
5 November
12 November
17 November
18 November
19 November
20 November
21 November
22 November
25 November
26 November
27 November
28 November
29 November
1 December
2 December
3 December
6 December
Reflection
Telling stories to create family history
Creating stories in landscape
Walking in memories
Constructing a layered text
Conclusion
Note
References
3. Sunless waters of forgetfulness (a geopoetic assemblage)
Reflections on geopoetics
Water legacies: the eco-psycho-symbolic
Rising tides: the local and the global seas
Watery liminality: ‘the sacred river ran . . .’
Notes
References
4. From Gallura to the Fens: communities performing stories of water
The Reasons in Ramsey
The Reasons in Peterborough
Evaluating The Reasons
Closing thoughts
Notes
References
Other resources
PART II: Becoming water bodies
5. Mapping a blue trace: an intermittent swimming life
Introduction: swimming as a relational practice
Writing on swimming and blue space
Swimming traces: approaches and settings
Swimming across the life course
Discussion: swimming as relational healthy practice
Conclusion: replenishment and restoration
References
6. Creative compulsions: performing surfing as art
Introduction
Conclusion
References
7. Waves as emblemata for knowledge
Sea knowledge
Intensity
Hacking waves
Waves as emblemata
Notes
Bibliography
PART III: ater we know?
8. Re-envisioning the hydro cycle: the hydrosocial spiral as a participatory toolbox for water education and management
Introduction
The ‘classic’ hydro cycle: a limited approach to water issues
Toward a more holistic approach: hydrosocial relations
Graphical grappling: the UEA Hydro Cycle Working Group
Developing the hydrosocial spiral: reflections and introductions from the artist
Teaching the hydrosocial spiral: a participatory toolbox for co-learning
Applying the hydrosocial spiral in research: a historic case study
Conclusions
References
9. Fluid-sound
Hydrophone
Contact microphone
Tape loop
Looping and (re)sounding
Acknowledgement
Notes
References
10. And all at once the clouds descend, shed tears that never seem to end: looking from the early modern age at water in the Anthropocene
Introduction
Writing during the Little Ice Age
Reading in the Anthropocene
Meeting the humanities
Conclusion
Notes
References
PART IV: When water disrupts: water as agent andco-constitutor of place and culture
11. ‘Water mafia’ politics and unruly informality in Delhi’s unauthorised colonies
Introduction
Groundwater dependence and urban informality
Water and politics, disruptive and productive
Conclusions
Notes
Bibliography
12. Encountering water: sensitivities and practices for moving beyond ‘Big Water’ interventions
Introduction
Big Water and the prevailing hydrosocial contract
Hydrosocial encounters beyond Big Water
Encountering water, developing alternative hydrosocial sensitivities and practices
Discussion
Conclusion
Note
References
13. Thinking like water moves: living with climate change in Tarawa, Kiribati
Introduction: sinking islands
The atoll emerging
Knowing water, knowing landscapes
Notes
Bibliography
14. Narratives that travel: anxiety, affect, and water politics in the Deschutes watershed of Central Oregon
Introduction
Theorizing affect and water governance
Methodology
Water wars in the Klamath
Narratives that travel: fish versus farmers
Differences that matter
“We don’t want to be the next Klamath!”
Affect, power, and world-making
Conclusion
Notes
Bibliography
15. Conclusion: the beginnings of a creative water ethics
Process, plurality and making visible alternative spaces
De-privileging anthropocentric and dominant accounts
Articulations of ‘agency’
Dangerous neoliberal waters?
References
Afterword: interview with Matthew Gandy, Professor
of Cultural and Historical Geography, University of Cambridge
Index