دانلود کتاب 21st-Century Dylan: Late and Timely

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Cover page\nHalftitle page\nTitle page\nCopyright page\nContents\nFigures\nTables\nEditors\nContributors\nAcknowledgements\nIntroduction: Some Variations on Late Dylan Adrian Grafe\n 1. Praise\n 2. Predecession\n 3. Profundity\n 4. Persona\n References\nPart One Honest with Me: Late Dylan’s Performing Personae\n 1 ‘I Made It So Easy for You to Follow Me’: Making a Case for Dylan’s Revisionist Art (2012)Nina Goss\n References\n 2 Masked, Anonymized and Chronicled: Dylan’s Fatal Auto-Mythos for the New Millennium Jim Salvucci\n References\n 3 Performativity, Subversion and Mask-ulinity: Dylan on Screen, Dylan as Screen Sara Martínez\n 1. Masculinity as performance\n 2. ‘He Not Busy Being Born is Busy Dying’ (‘It’s Alright, Ma’, Dylan 1965)\n 3. Bob Dylan ‘as’ screen\n 4. Bob Dylan ‘on’ screen\n 5. Bob Dylan’s performativity in Larry Charles’ Masked and Anonymous\n 6. Bob Dylan’s non- performativity in Todd Haynes’ I’m Not There\n 7. Conclusion\n References\n 4 No Direction Home : When Dylan Does Look Back Charles Bonnot\n 1. Dont Look Back : a ‘paradigmatic film’ of the 1960s\n 2. Channelling Dont Look Back in No Direction Home\n 3. No Direction Home: a paradigmatic rock portrait\n References\n 5 Dylan Does Adverts. Surely Not? Surely? Andrew McKeown\n References\n 6 Bringing the Margin to the Centre: Dylan’s Visible Republic Erin C. Callahan\n References\n 7 Creation and Re-Creation in Dylan’s Performances of ‘Blowin’ in the Wind’ (1963–2016) Julie Mansion-Vaquié\n 1. From disc to stage: methods and concepts\n 2. ‘Blowin’ in the Wind’: the original and its versions\n 3. Musical analyses of the different versions\n 4. Conclusion\n References\n 8 ‘Behind Every Beautiful Thing There’s Been Some Kind of Pain’: Melancholia in Dylan’s Songs and Paintings Anne-Marie Mai\n 1. Melancholia – an oxymoronic condition\n 2. Not dark yet\n 3. A melancholic stranger\n 4. A melancholic microcosmos\n 5. Still moving\n 6. Conclusion\n References\nPart Two Roll on Bob: Late Dylan in Text and Tribute\n9 ‘A-Journeying over the Shadows and the Rain’: Dylan’s Late Style(s) Jean Du Verger\n 1. Time Out of Mind : examining ‘the lost forgotten years’ (‘Dignity’, Dylan 1989)\n 2. Seeking the ghosts of the past: Dylan’s musical journey through the South\n 3. Dylan’s interpretations of the Great American Songbook\n 4. Conclusion\n References\n10 ‘The Last Outback at the World’s End’: Dylan’s Sense of an Album’s Ending M. Cooper Harriss\n 1. What is an album?\n 2. What is a Dylan album?\n 3. The sense of an ending\n 4. A twenty-first-century case study: ‘Ain’t Talkin”\n 5. Older than that now\n References\n11 ‘No Success Like Failure’? Dylan’s Awards, from Princeton to the Nobel Denis Feignier\n 1. Don’t ask for honours: ‘I let the songs fly, and people respond’ ( Gundersen 1997: 52)\n 2. Don’t refuse them: ‘Well, it’s always been my nature to take chances’ (‘Angelina’, Dylan 1991)\n 3. Don’t show off your medals: ‘Humble and proud. That’s all.’\n 4. ‘I have dined with kings ... And I’ve never been too impressed’ (‘Is Your Love in Vain?’, Dylan 1978 )\n References\n12 ‘How Could It Be Any Other Way?’ Dylan’s Editorial Decisions in The Lyrics: 1961–2012 Simon McAslan\n 1. ‘What our Dutch ears thought they heard’: unauthorized diligence\n 2. ‘Fooled-around-with lyrics’: authorized inaccuracy\n 3. ‘The sound of the words and sounds’: writing the oral\n 4. ‘Which one is correct?’: the ‘problem’ of variant lyrics\n 5. ‘Tweedle Dee & Tweedle Dum’ revisited: recreating the self\n 6. Indefinitively Dylan\n References\n13 Dylan’s Resources Christopher Ricks\n References\n14 Dylan Nobelized? Dylan Ricksified? Adrian Grafe\n 1. Strategically placed?\n 2. Category and quality – too much confusion?\n 3. Ricks’s regrettable decision?\n 4. Not ‘Is Dylan a poet?’ but ‘What kind of poet is Dylan?’\n 5. Conclusion: No Ricksification, no Nobelization\n References\nCoda: Late and Timely, Rough and Ready: A Review of Rough and Rowdy Ways Adrian Grafe and Andrew McKeown\nIndex