دانلود کتاب Affectual Erasure: Representations of Indigenous Peoples in Argentine Cinema

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Contents
List of Figures
Preface
Acknowledgments
Introduction
Historical Background
Institutional Discourse on Native Peoples in Argentina
Ideological Reproduction
Conventions of Photographic Representation
Affect
Part 1: Early Cinema, 1896–1932
1 Melodrama and Avant- la- Lettre Documentary in Alcides Greca’s El último malón (The Last “Indian” Raid, 1917)
El Último Malón
Sociohistorical Representation
Affect
Ethnographic Representation
Cinema of Attractions
2 Kitsch and Exoticism in Nelo Cosimi’s La quena de la muerte (Death Kena, 1929)
La Quena De La Muerte
Affect
Ethnographic Representation
Conclusion
Part 2: Classical Cinema, 1933–1956
3 Femme Fatale in Luis Belisario García Villar’s Frontera Sur (Southern Border, 1943)
Ethnographic Representation
Affect
Conclusion
4 Betrayal and Insanity in Lucas Demare’s El último perro (The Last One Standing, 1956)
Ethnographic Representation
Emotions
Conclusion
Part 3: Modernity and Auteur Cinema, 1957–1983
Representation of Indigenous Peoples in Movies of This Period
5 The Shifting Meanings of Translation in Lautaro Murúa’s Shunko (1960)
Ethnographic Representation
Language
Emotion
6 Transculturation in Jorge Prelorán’s Hermógenes Cayo (1967)
Hermógenes Cayo
Ethnographic Representation
Jorge Prelorán’s Ethnobiographic Cinema
Emotions
Part 4: Cinema in Democracy, 1983–1993
7 Fatal Kindness in Raúl Tosso’s Gerónima (1986)
Affect
8 Bewitched Mirror Images in Edgardo Cozarinsky’s Guerriers et Captives (Warriors and Captives, 1989)
Indigenous Representation
Emotions
Part 5: Contemporary Period, 1993–2017
9 The Power of the Word in Philip Cox and Valeria Mapelman’s Mbyá: Tierra en rojo (We Are the Indians, 2005)
Ethnographic Representation
Aesthetics
Emotion
10 State Terrorism in Valeria Mapelman’s Octubre Pilagá (Pilagá October, 2010)
Ethnographic Background
Octubre Pilagá
Affect
11 Life as a Specimen: Alejandro Fernández Mouján’s Damiana Kryygi (2015)
Damiana Kryygi
Affect
Aesthetics
12 Clashing Ideologies, Denunciation, and Reparation in Ulises de la Orden’s Tierra adentro (Inland, 2011)
Affect
Aesthetics
13 Silence and Isolation in Mathieu Orcel’s Para los pobres piedras (Stones for the Poor, 2013)
Ethnic Representation
Affect
Aesthetics
Conclusion
14 Immersion and Metamorphosis in Inés de Oliveira Cézar’s Cassandra (2012)
Ethnographic Background
Cassandra
Affect
Aesthetics
Conclusion
15 The Power of Constellations in Sebastián Lingiardi’s Las pistas- Lanhoyij- Nmitaxanaxac (Clues- Lanhoyij- Nmitaxanaxac, 2010)
Ethnographic Representation
Aesthetics
Conclusion
Appendix: A Political Map of Argentina
Notes
Bibliography
Index