دانلود کتاب American Cinema’s Transitional Era: Audiences, Institutions, Practices

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Contents\nIllustrations and tables\nAcknowledgments\nIntroduction\nPart one. Defining Transition: Revision and Debate\nChapter one. Systematizing the Electric Message: Narrative Form, Gender, and Modernity in The Lonedale Operator\nChapter two “To Here from Modernity” Style, Historiography, and Transitional Cinema\nChapter three. Periodization of Early Cinema\nChapter four. Feature Films, Variety Programs, and the Crisis of the Small Exhibitor\nPart two. The Transitional Screen: New Genres, Cultural Shifts\nChapter five. What Happened in the Transition? Reading Race, Gender, and Labor between the Shots\nChapter six. The “Imagined Community” of the Western, 1910–1913\nChapter seven. The Coney Island Comedies: Bodies and Slapstick at the Amusement Park and the Movies\nChapter eight. Travelogues and Early Nonfiction Film: Education in the School of Dreams\nPart three. The Industry in Transition: Changing Institutions and Audiences\nChapter nine. Where Development Has Just Begun: Nickelodeon Location, Moving Picture Audiences, and Neighborhood Development in Chicago\nChapter ten. A House Divided: The MPPC in Transition\nChapter eleven. Not Harmless Entertainment: State Censorship and Cinema in the Transitional Era\nChapter twelve. Cinema under the Sign of Money: Commercialized Leisure, Economies of Abundance, and Pecuniary Madness, 1905–1915\nChapter thirteen. The Menace of the Movies Cinema’s Challenge to the Theater in the Transitional Period\nChapter fourteen “It’s a Long Way to Filmland” Starlets, Screen Hopefuls, and Extras in Early Hollywood\nContributors\nIndex