دانلود کتاب American popular music and its business: the first four hundred years

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Frontmatter\nPart One 1900-1920\n 1. Thomas Edison\'s Wonderful Kinetoscope Machine (page 3)\n 2. Big Time, Small Time, and E.F. Albee (page 16)\n 3. The Victrola and the Pianola (page 22)\n 4. Inside the Popular-Music Business (page 32)\nPart Two 1921-1930\n 5. Popular Songs and the Movie Business (page 47)\n 6. The Decline and Fall of the House of Albee (page 57)\n 7. The Mechanical Music Business (page 62)\n 8. A Simple Radio Music Box (page 74)\n 9. A Glut of Movie Music (page 91)\nPart Three 1931-1940\n 10. The Fall and Rise of the Record Business (page 117)\n 11. Music in Motion Pictures (page 147)\n 12. Popular Music and Radio (page 159)\n 13. ASCAP versus the Broadcasters (page 184)\nPart Four 1941-1953\n 14. On the Road to New Technology and an Expanded Industry (page 215)\n 15. Mass Entertainment and the Music Business (page 251)\n 16. ASCAP and BMI Face the Reality of Television (page 291)\nPart Five 1954-1966\n 17. From Monaural to Stereophonic Sound (page 333)\n 18. Growth to a Four-Billion-Dollar Business (page 367)\n 19. ASCAP versus BMI (page 396)\n 20. Payola Problems and Rate Wars (page 439)\nPart Six 1967-1970\n 21. Copyright Revision or Not? (page 493)\n 22. The Music-Licensing Wars (page 498)\n 23. Big Money Invades the Music Business (page 507)\n 24. FM and Top 40 Radio (page 518)\nPart Seven 1971-1976\n 25. Continued Fighting over Licensing (page 523)\n 26. Industry Associations Play Their Part (page 528)\n 27. \"The Seven Dirty Words\" Case and MOR Music (page 543)\n 28. Configurations, Payola, and Soul Music (page 549)\n 29. A New Copyright Bill at Last (page 563)\nPart Eight 1977-1980\n 30. The U.S. Supreme Court and Licensing (page 573)\n 31. The Copyright Royalty Tribunal (page 581)\n 32. Other Copyright Problems (page 588)\n 33. Seesawing Sales and New Ideas in the Record Business (page 594)\nPart Nine 1981-1984\n 34. Television Music Licensing (page 617)\n 35. Rates and Piracy-Unsolved Problems (page 624)\n 36. Continuing Difficulties for Music Publishers (page 627)\n 37. Tight Control of a Prosperous Record Business (page 634)\nBibliography (page 655)\nIndex (page 695)