دانلود کتاب Audio Culture, Revised Edition: Readings in Modern Music

فهرست مطالب :

Half Title......Page 2
Title Page......Page 3
Contents......Page 5
Acknowledgments......Page 9
Sources and Permissions......Page 11
Introduction to the Revised Edition......Page 16
Part 1 Theories......Page 23
I. Music and Its Others: Noise, Sound, Silence......Page 27
1 “Noise and Politics”......Page 30
2 “The Art of Noises: Futurist Manifesto”......Page 33
3 The Liberation of Sound......Page 41
4 The Joys of Noise......Page 47
5 The Future of Music: Credo......Page 50
6 The Music of the Environment......Page 54
7 The Gender of Sound......Page 68
8 All Sound Is Queer......Page 89
9 The Quiet of Blackness: Miles Davis and John Coltrane......Page 103
II. Modes of Listening......Page 122
10 Visual and Acoustic Space......Page 125
11 Acousmatics......Page 133
12 Profound Listening and Environmental Sound Matter......Page 141
13 Ambient Music......Page 149
14 Auralizing the Sonosphere: A Vocabulary for Inner Sound and Sounding......Page 154
15 Perceptual Geography: Third Ear Music and Structure Borne Sound......Page 158
16 Hearing Essay......Page 167
17 The Aural Walk......Page 171
18 Ubiquitous Listening......Page 177
19 Forensic Listening......Page 193
20 Organizing the Silence......Page 201
III. Music in the Age of Electronic Reproduction......Page 219
21 The Prospects of Recording......Page 222
22 The Studio as Compositional Tool......Page 238
23 Bettered by the Borrower: The Ethics of Musical Debt......Page 243
24 Plunderphonia......Page 252
25 Operating System for the Redesign of Sonic Reality......Page 278
26 Six File-Sharing Epiphanies......Page 282
27 Cultivating Activist Lives in Sound......Page 285
Part 2 Practices......Page 296
IV. The Open Work......Page 300
28 The Poetics of the Open Work......Page 303
29 Composition as Process: Indeterminacy......Page 315
30 Every Sound You Can Imagine: On Graphic Scores......Page 330
31 Transformations and Developments of a Radical Aesthetic......Page 336
32 The Game Pieces......Page 345
33 Introduction to Catalog of Works......Page 352
34 Notes on Conduction......Page 357
V. Experimental Musics......Page 367
35 Towards (a Definition of) Experimental Music......Page 370
36 Introduction to Themes & Variations......Page 386
37 Generating and Organizing Variety in the Arts......Page 392
38 A Scratch Orchestra: Draft Constitution......Page 403
39 The Generation Game: Experimental Music and Digital Culture......Page 409
40 The New Discipline......Page 420
41 RE-INVENT: Experimental Music in China......Page 423
VI. Improvised Musics......Page 437
42 Change of the Century......Page 440
43 Notes (8 Pieces): Creative Music......Page 442
44 Free Improvisation......Page 452
45 Little Bangs: A Nihilist Theory of Improvisation......Page 467
46 Improvised Music after 1950: Afrological and Eurological Perspectives......Page 475
47 Improvisation: Terms and Conditions......Page 493
48 Going Fragile......Page 498
49 27 Questions For A Start … And Some Possible Answers to Begin With......Page 502
VII. Minimalisms......Page 513
50 Thankless Attempts at a Definition of Minimalism......Page 516
51 Basic Concepts of Minimal Music......Page 522
52 Music as a Gradual Process......Page 530
53 Conversation with Richard Kostelanetz......Page 533
54 LYssophobia: On Four Violins......Page 547
55 Rap, Minimalism, and Structures of Time in Late Twentieth-Century Culture......Page 554
56 Draw a Straight Line and Follow It: Minimalism in Contemporary Electronic Dance Music......Page 567
VIII. DJ Culture......Page 586
57 Production–Reproduction: Potentialities of the Phonograph......Page 589
58 Détournment as Negation and Prelude......Page 593
59 The Invisible Generation......Page 597
60 Algorithms: Erasures and the Art of Memory......Page 607
61 Replicant: On Dub......Page 616
62 Post-Rock......Page 619
63 A Few Notes on Production and Playback......Page 624
IX. Electronic Music and Electronica......Page 630
64 Introductory Remarks to a Program of Works Produced at the Columbia-Princeton Electronic Music Center......Page 633
65 Electronic and Instrumental Music......Page 637
66 Stockhausen vs the “Technocrats”......Page 651
67 The Mysterious Power of the Infinitesimal......Page 657
68 The Aesthetics of Failure: “Post-Digital” Tendencies in Contemporary Computer Music......Page 662
69 Laptop Intimacy and Platform Politics......Page 671
Chronology......Page 677
Selected Discography......Page 691
Selected Bibliography......Page 703
Glossary......Page 730
Notes to Quotations......Page 742
Index......Page 749
Copyright......Page 811