دانلود کتاب Autofiction and Cultural Memory

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Cover
Endorsements
Half Title
Series Page
Title Page
Copyright Page
Dedication
Contents
New Literary Theory: Series Preface
Acknowledgements
Introduction
1. On Autofiction and Cultural Memory
The Rise of Autofiction
Origins of Cultural Memory
Towards an Autofiction of Cultural Memory
2. How the Author Became: Precursors and Preludes
A Portrait of the Artist as a Young Man as Precursor and Prelude
Authorial Presence as Puzzle and Tactic in Break of Day
Cultural Memory as Heteronormativity in Oranges are not the only fruit (1985)
Autofiction Versus Cultural Memory in Ben Lerner\'s 10:04
Avatars of Avatars in Siri Hustvedt\'s Blazing World
3. The Author as Minor Character: Alternative Perspectives
The Postcolonial Inferiority Complex in Aunt Julia and the Scriptwriter
Free Indirect Discourse in Distant Relations
Speculative Autofiction in Pamuk\'s Snow
The Autofictional Mode in The Book of Chocolate Saints
4. The Poetics of Exile and Return
Trauma and Repetition in All Men Want to Know
Writing about Writers in Dany Laferrière\'s The Enigma of the Return (2009)
5. Autofiction Once, Twice, Three Times Removed
Narrating Postmemory in The Distance Between Us
Cuisine as Creative Art in Maryse Condé\'s Victoire (2006)
Fictionalising Postmemory in The Shadow King
Conclusion
References
Index