دانلود کتاب Bachelor Japanists: Japanese Aesthetics and Western Masculinities

فهرست مطالب :

CONTENTS\nA Note on Names and Terms\nAcknowledgments\nIntroduction\n Bachelor Japanists\n Queer and Away: Three Case Studies\n Japanism and/as Modernism\n Japan as Origin and Opposite\n Alternative Identities\n Japan and Orientalism\n Visuality and Japanism\n Sight and Subversion\n1. Originating Japanism: Fin-de-Siècle Paris\n Modernism and Japonisme\n The First Japoniste(s)\n The First Fictions of Japonisme\n Alternative Origins, Other Fictions\n Japonaises and Japonistes: Women in the Spaces of Japonisme\n Bachelor Japoniste Quarters, Part 1: The House-Museum of Henri Cernuschi\n Bachelor Japoniste Quarters, Part 2: The Maison des Goncourt\n The Afterlife of the Maison des Goncourt\n Bachelor Japoniste Quarters, Part 3: Hugues Krafft’s Midori-no-sato\n A Coda About Japonisme’s Beginnings\n2. Bachelor Brahmins: Turn-of-the-Century Boston\n Japanism in the Athens of America\n Imagined Aristocracies and the Politics of Taste\n Implications for Institutions: Art History and Museums\n Fictions Enabling and Exclusive\n Fictions of Japanism and Gender\n Japanism and/as Religion\n The Private Space of Brahmin Japanism: W. S. Bigelow’s Tuckanuck\n The Public Space of Brahmin Japanism, Part 1: The First Museum of Fine Arts\n The Public Space of Brahmin Japanism, Part 2: The Second Museum of Fine Arts\n Bachelor Japan\n A Japanism of Her Own: Isabella Stewart Gardner’s House Museum\n Last Words: Japanism Re-viewed\n3. Sublimation and Eccentricity in the Art of Mark Tobey: Seattle at Midcentury\n Spectacles of Libertad\n Spirituality and/as Sublimation\n Engaging the East: Seattle and Devon\n Approaching the East with Bernard Leach\n Counter Encounters: Tobey and Leach in China and Japan\n Invoking the East: “White Writing”\n Reorienting Seattle with Morris Graves and John Cage\n A Marketplace of Ideas: Globalism and Regionalism in the “Northwest School”\n The Avant-Garde and Its Exclusions\n Japanese-American: Aesthetics of Affiliation in the Postwar Era\n Disorienting Eccentricity: Japanism and/as the New Normal\nConclusion: On the End of Japanism\n Notes\n Bibliography\n Index