دانلود کتاب Back to the Futurists: The Avant-Garde and its Legacy

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Back to the Futurists: The Avant-garde
Half Title Page
Title Page
Copyright
Contents
List of figures
Notes on contributors
Introduction: Elza Adamowicz and Simona Storchi
1. Engaging the crowd: the Futurist manifesto as avant-garde advertisement: Matthew McLendon
2. Heroes/heroines of Futurist culture: oltreuomo/oltredonna: Jennifer Griffiths
3. ‘Out of touch’: F. T. Marinetti’s Il tattilismo and the Futurist critique of separation: Pierpaolo Antonello
4. La bomba-romanzo esplosivo, or Dada’s burning heart: Dafydd Jones
5. Futurist canons and the development of avant-garde historiography (Futurism–
6. ‘An infinity of living forms, representative of the absolute’? Reading Futurism with Pierre Albert-Birot as witness, creative collaborator and dissenter: Debra Kelly
7. The dispute over simultaneity: Boccioni – Delaunay, interpretational error or Bergsonian practice?: Delphine Bière
8. Fernand Léger’s La noce: the bride stripped bare?: Elza Adamowicz
9. Nocturnal itineraries: Occultism and the metamorphic self in Florentine Futurism: Paola Sica
10. ‘A hysterical hullo-bulloo about motor cars’: the Vorticist critique of Futurism, 1914–1919: Jonathan Black
11. Futurist performance, 1910–1916: Günter Berghaus
12. Le Roi Bombance: the original Futurist cookbook?: Selena Daly
13. The cult of the ‘expressive’ in Italian Futurist poetry: new challenges to reading: John J. White
14. Visual approaches to Futurist aeropoetry: Willard Bohn
15. The Untameables: language and politics in Gramsci and Marinetti: Sascha Bru
16. The dark side of Futurism: Marinetti and technological war: Marja Härmänmaa
17. Rethinking interdisciplinarity: Futurist cinema as metamedium
18. A Very Beautiful Day After Tomorrow: Luca Buvoli and the legacy of Futurism: Elisa Sai
Index