دانلود کتاب Background Noise: Perspectives on Sound Art

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Cover\nContents\nPreface to the Second Edition\nIntroduction: Auditory Relations\nFade In\nPart 1: 4\'33\": Sound and Points of Origin\n Introduction to Part 1\n Chapter 1 Sociality of Sound: John Cage and Musical Concepts\n Chapter 2 Exposing the Sound Object: Musique Concrète’s Sonic Research\n Chapter 3 Automatic Music: Group Ongaku’s Performative Labors\nPart 2: Box with the Sound of Its Own Making: From Gags to Sculptural Form\n Introduction to Part 2\n Chapter 4 Rhythms of Chaos: Happenings, Environments, and Fluxus\n Chapter 5 Minimalist Treatments: La Monte Young and Robert Morris\n Chapter 6 Conceptualizations: Michael Asher and the Subject of Space\nPart 3: I Am Sitting in a Room: Vocal Intensities\n Introduction to Part 3\n Chapter 7 Performing Desire/Performing Fear: Vito Acconci and \rthe Power Plays of Voice\n Chapter 8 Finding Oneself: Alvin Lucier and the Phenomenal Voice\n Chapter 9 Word of Mouth: Christof Migone’s Little Manias\nPart 4: Public Supply: Buildings, Constructions, and Locational Listening\n Introduction to Part 4\n Chapter 10 Tuning Space: Max Neuhaus and Site-Specific Sound\n Chapter 11\rOther Architectures: Michael Brewster, Maryanne Amacher, and Bernhard Leitner\n Chapter 12 Composing Intensities: Iannis Xenakis’s Multi-media Architectures\nPart 5: Soundmarks: Environments and Aural Geography\n Introduction to Part 5\n Chapter 13 Seeking Ursound: Hildegard Westerkamp, Steve Peters, and the Soundscape\n Chapter 14 Language Games: Yasunao Tone and the Mechanics of Information\n Chapter 15 Complicating Place: Bill Fontana and Networking the Soundscape\nPart 6: Global Strings: Interpersonal and Network Space\n Introduction to Part 6\n Chapter 16 Interactions: Achim Wollscheid’s Production of the Local\n Chapter 17 Global Events: Atau Tanaka and Network as Instrument\n Chapter 18 Live Streams: Apo33 and Multiplying Place\nFade Out\nConclusion: Auditive Pivot\nAppendix: Peripheries—Subnature, Phantom Memory, and Dirty Listening\nBibliography\nIndex