دانلود کتاب Beethoven: Studies in the Creative Processes

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Contents\nIntroduction\nONE. On Beethoven\'s Sketches and Autographs: Some Problems of Definition and Interpretation\nTWO. The Autograph of the First Movement of the Sonata for Violoncello and Pianoforte, Opus 69\nTHREE. Beethoven\'s Sketches for Sehnsucht (WoO 146)\nFOUR. Eroica Perspectives: Strategy and Design in the First Movement\nFIVE. The Earliest Sketches for the Eroica Symphony\nSIX. The Compositional Genesis of the Eroica Finale\nSEVEN. Planning the Unexpected: Beethoven\'s Sketches for the Horn Entrance in the Eroica Symphony, First Movement\nEIGHT. The Problem of Closure: Some Examples from the Middle-Period Chamber Music\nNINE. Process versus Limits: A View of the Quartet in F Major, Opus 59 No. 1\nTEN. On the Cavatina of Beethoven\'s String Quartet in B-flat Major, Opus 130\nELEVEN. Beethoven\'s Autograph Manuscripts and the Modern Performer\nAPPENDIX I. Physical Features of the Autograph Manuscript of Opus 69, First Movement\nAPPENDIX II. Beethoven\'s Correspondence on the Text of Opus 69\nAPPENDIX III. Use of Additional Staves in the Autograph of Opus 69\nAPPENDIX IV. Provisional List of Variants in the Autograph of Opus 69 (excluding variants discussed in text)\nNotes\nCredits\nIndex of Compositions, Sketches, and Other Documents\nGeneral Index