دانلود کتاب Berio's Sequenzas: Essays on Performance, Composition and Analysis

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Contents
List of Music Examples
List of Tables and Figures
Notes on Contributors
Foreword
Acknowledgements
Notes on the Text
Introduction • David Osmond-Smith
Part 1: Performance Issues
1 Rhythm and Timing in the Two Versions of Berio’s Sequenza I for Flute Solo: Psychological and Musical Differences in Performance • Cynthia Folio and Alexander R. Brinkman
2 Rough Romance: Sequenza II for Harp as Study and Statement • Kirsty Whatley
3 Phantom Rhythms, Hidden Harmonies: The Use of the Sostenuto Pedal in Berio’s Sequenza IV for Piano, Leaf and Sonata • Zoe Browder Doll
4 A Dress or a Straightjacket? Facing the Problems of Structure and Periodicity Posed by the Notation of Berio’s Sequenza VIIfor Oboe • Patricia Alessandrini
5 Shadow Boxing: Sequenza X for Trumpet and Piano Resonance • Jonathan Impett
Part 2: Berio’s Compositional Process and Aesthetics
6 Provoking Acts: The Theatre of Berio’s Sequenzas • Janet K. Halfyard
7 The Chemins Series • Paul Roberts
8 The Compass of Communications in Sequenza VIII for Violin • Eugene Montague
9 Sequenza IX for Clarinet: Text, Pre-Text, Con-Text • Andrea Cremaschi
10 Proliferations and Limitations: Berio’s Reworking of the Sequenzas • Edward Venn
Part 3: Analytical Approaches
11 Vestiges of Twelve-Tone Practice as Compositional Process in Berio’s Sequenza I for Solo Flute • Irna Priore
12 Sonic Complexity and Harmonic Syntax in Sequenza IV for Piano • Didier Guigue and Marcílio Fagner Onofre
13 The Nature of Expressivity in Berio’s Sequenza VI for Viola • Amanda Bayley
14 A Polyphonic Type of Listening In and Out of Focus: Berio’s Sequenza XI for Guitar • Mark D. Porcaro
15 …and so a chord consoles us: Berio’s Sequenza XIII (Chanson) for Accordion • Thomas Gartmann
Bibliography
Discography
Index