Between You and Me : Queer Disclosures in the New York Art World, 1948 -1963

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توضیحاتی در مورد کتاب Between You and Me : Queer Disclosures in the New York Art World, 1948 -1963

نام کتاب : Between You and Me : Queer Disclosures in the New York Art World, 1948 -1963
عنوان ترجمه شده به فارسی : Between You and Me: Uneer Disclosures in the New York Art World, 1948 -1963
سری :
نویسندگان :
ناشر : Duke University Press
سال نشر : 2005
تعداد صفحات : 233
ISBN (شابک) : 9780822334866
زبان کتاب : English
فرمت کتاب : pdf
حجم کتاب : 2 مگابایت



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CONTENTS LIST OF ILLUSTRATIONS ACKNOWLEDGMENTS INTRODUCTION Gossip: The Hardcore of Art History? 1 The American Artist in a World of Suspicion 2 Idol Gossip: Myths of Genius and the Making of QueerWorlds 3 The Gift of the Gab: Camp Talk and the Art of Larry Rivers 4 Dishing on the Swish, or, the ‘‘Inning’’of Andy Warhol 5 Bodies of Evidence: Queering Disclosurein the Art of Jasper Johns AFTERWORD Flirting with an Ending NOTES BIBLIOGRAPHY INDEX

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In the decades preceding the Stonewall riots&;in the wake of the 1948 publication of Alfred Kinsey&;s controversial report on male sexuality and in the midst of a cold war culture of suspicion and paranoia&;discussions of homosexuality within the New York art world necessarily circulated via gossip and rumor. Between You and Me

explores this informal, everyday talk and how it shaped artists&; lives, their work, and its reception. Revealing the &;trivial&; and &;unserious&; aspects of the postwar art scene as key to understanding queer subjectivity, Gavin Butt argues for a richer, more expansive concept of historical evidence, one that supplements the verifiable facts of traditional historical narrative with the gossipy fictions of sexual curiosity.

Focusing on the period from 1948 to 1963, Butt draws on the accusations and denials of homosexuality that appeared in the popular press, on early homophile publications such as One and the Mattachine Review, and on biographies, autobiographies, and interviews. In a stunning exposition of Larry Rivers&;s work, he shows how Rivers incorporated gossip into his paintings, just as his friend and lover Frank O&;Hara worked it into his poetry. He describes how the stories about Andy Warhol being too &;swish&; to be taken seriously as an artist changed following his breakthrough success, reconstructing him as an asexual dandy. Butt also speculates on the meanings surrounding a MoMA curator&;s refusal in 1958 to buy Jasper Johns&;s Target with Plaster Casts on the grounds that it was too scandalous for the museum to acquire. Between You and Me sheds new light on a pivotal moment in American cultural production as it signals new directions for art history.




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