دانلود کتاب Blake's 'Jerusalem' As Visionary Theatre: Entering the Divine Body (Oxford Theology and Religion Monographs)

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Cover\nContents\nPlates\nAbbreviations\nIntroduction\n About this Book\n Some Important Terms\n The Critical Background\n The Texts\nPart I: Perspectives, Characters, Settings\n 1. Visionary Theatre—Apocalyptic Images\n Jerusalem and the Book of Revelation\n Alchemical Visionary Theatre\n Sublime Allegory—and Visionary Theatre\n Entering Apocalyptic Images\n 2. Dramatis Personae\n Angelmorphic Characters: The One and the Many\n The Characters\n 3. Jerusalem: Her Character and Context\n Like Christ\n The Harlot, the Bride\n The Woman Clothed with the Sun\n Joanna Southcott, A Woman Clothed with the Sun\n In Blake’s Poem\n 4. Jerusalem’s Jesus\n Nature and Function\n Jesus’s First Appearances\n Visualizing Jesus: Young’s Night Thoughts\n Coinherent Contraries\n Beyond Law: Blake and St Paul\n Erotic Spirituality\n The Birth of Jesus\n Healing Ministry: Raising Albion\n Beyond the Trinity\n Transfiguring Crucifixion\n Creative Apocalypse\n 5. Shifting Settings—Building Projects\n Shifting Settings\n Building Projects\n Druid Structures\n Golgonooza\n Jerusalem: The Transfiguring City\nPart II: The Commentary\n Reading the Poem\n 1. ‘To the Public’—Albion’s Fall\n Overture: The Preface (1–4)\n Opening Scene: Albion Rejects the Divine Song (4–5)\n Scene Two: Los and the Spectre (6:1–11:7)\n Scene Three: In the Spaces of Erin (11:8–14:34)\n Scene Four: Sculpting World Views (15–17)\n Scene Five: Hand and Hyle Intensify Fallenness (18–19)\n Scene Six: Beulah and the Veil (19:40–25:17)\n Interval (26)\n Plate 26\n 2. ‘To the Jews’—Rescue Attempts\n The Preface (27)\n Scene One: Albion’s Fall: The Refugee Report (28–30)\n Scene Two: The Triumph of Vala (31:2–34:35)\n Scene Three: The Divisions of Reuben (34:36–36:42)\n Scene Four: Los and the Eternals (36:43–41:31)\n Scene Five: The Rescue Attempt (42–6)\n Scene Six: Cycles of Violence (47:1–48:12)\n Scene Seven: Redemptive Erin, A Terrible Separation (48:13–50:30)\n Interval (51)\n Plate 51\n 3. ‘To the Deists’—Calamities Amplify\n The Preface (52)\n Scene One: Intensified Fall, Los Infected! (53:1–58:20)\n Scene Two: Urizen’s Temple (58:21–59:21)\n Scene Three: In Cathedron’s Looms (59:22–62:42)\n Scene Four: Hermaphrodite Spectre Rising (63:1–65:4)\n Scene Five: Naked Daughters, War, Disease (65:5–69:5)\n Scene Six: Beulah-Ulro/Heavenly Canaan (69:6–71:55)\n Scene Seven: Fallibly Building (71:56–75:27)\n Excursus\n Interval (76)\n Plate 76—Transfiguring Crucifixion\n 4. ‘To the Christians’—The Great Awakening\n The Preface (77)\n Scene One: Jerusalem Before the Furnaces (78:1–80:36)\n Scene Two: Weaving False Bodies (80:37–82:79)\n Scene Three: Los on his Watch (82:80–86:49)\n Scene Four: Banal Bickering (86:50–88:54)\n Scene Five: Apocalyptic Transformation (88:55–93:27)\n Scene Six: Albion Awakens (94–9)\n Eternal Interval (100)\n Curtain Call (Plate 100)\n Encore: Into Eternity\n Various Eternities\n Character Synchronisms\n Synchronic Images\n From Ulro to Eden\n In Conclusion\nBibliography\nIndex\n A\n B\n C\n D\n E\n F\n G\n H\n I\n J\n K\n L\n M\n N\n O\n P\n Q\n R\n S\n T\n U\n V\n W\n Y\n Z