توضیحاتی در مورد کتاب Body and Force in Music: Metaphoric Constructions in Music Psychology
نام کتاب : Body and Force in Music: Metaphoric Constructions in Music Psychology
عنوان ترجمه شده به فارسی : بدن و نیرو در موسیقی: سازه های استعاری در روانشناسی موسیقی
سری : SEMPRE Studies in The Psychology of Music
نویسندگان : Youn Kim
ناشر : Routledge
سال نشر : 2022
تعداد صفحات : 172
ISBN (شابک) : 9780367520557 , 9781003056201
زبان کتاب : English
فرمت کتاب : pdf
حجم کتاب : 5 مگابایت
بعد از تکمیل فرایند پرداخت لینک دانلود کتاب ارائه خواهد شد. درصورت ثبت نام و ورود به حساب کاربری خود قادر خواهید بود لیست کتاب های خریداری شده را مشاهده فرمایید.
فهرست مطالب :
Cover
Endorsements
Half Title
Title
Copyright
Contents
List of figures
Acknowledgments
Introduction
The human body and musical instruments
Conceptual dimension of metaphoric construction
Force and agency
“Body and force” and “body versus force”
The discursive space and disciplinary identity of music psychology
Metaphors as shorthand for music psychology
Roadmap
Historicizing music psychology
1 The musicking body-machine
Music, machine, and the body
The emergence of the “human motor” model
Rhythm: “an inevitable corollary from the persistence of forces”
Psychological studies in the era of rhythm
Musical rhythm and labor
Rhythm in the “body culture”
The “irrational,” continuous rhythm
Rhythm and the piano-playing body
Concluding remarks
2 “A force of nature”: tracing voice
Animal, machine, and voice
Speech theory of music
Voice, the body machine, and the issue of agency
Voice as both object and subject
Voice of the “primitive” soul
Recorded voice
“Dragging movement”
“How the voice looks”
Concluding remarks
3 Motion, force, and “rhythm form”
The “‘co-working of motion’ with one’s own will”
Piano theories
Motion in piano playing
Force and the will
The will, physiology, and piano-playing
Force and postures
Action–perception coupling at the turn of the twentieth century
“Rhythmic massing”
Concluding remarks
4 Minding gaps and musical energy
The ball analogy
The human motor capable of locomotion
Capturing the musicking body
Music as streams of energy
Gliding between tones
The agency of motion
Revisiting the ball analogy
Music as motion across disciplines and times
Concluding remarks
5 Musical force acting at a distance
Force acting at a distance
In the words of amateur pianists and psychologists
Force affecting the audience
The metaphor of vibratory waves in psychology
Force at a distance and the power of sound
“Brain waves” in communication
Inhibition and waves in music psychology
The vibratory energy of music
“Sympathetic oscillation”
Concluding remarks
Epilogue
Bibliography
Index