دانلود کتاب Building Time: Architecture, Event, and Experience

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Cover\nContents\nList of Illustrations\nAcknowledgments\nAbout the Author\nPart One Introduction\n 1.1 Making Space for Time\n The Time of the World\n The Time of the Body\n The Time of the Project\n Structure and Approach\nPart Two The Time of the World\n 2.1 Day Time: Adolph Menzel’s Balcony Room\n Forces at Play\n Changing Circumstances\n 2.2 Well-Timed Openings: Eileen Gray’s Tempe à Pailla\n In the Blink of an Eye\n A Solar-Site-Plan\n Scheduling Plan Positions\n Timely Adjustments\n Good Timing\n 2.3 Tempered Terrain: Sverre Fehn’s Villa Busk\n Vestiges as Clues\n Past as Prologue\n Lasting Impressions\n Pre-Recordings and Recordings\n 2.4 World Rhythms: Álvaro Siza’s Swimming Pools at Leça da Palmeira\n The Vocation of Construction Materials\n Potentialities\nPart Three The Time of the Body\n 3.1 Taking Steps: Nicolaes Maes’ The Eavesdropper\n One Moment among Many\n Again and Again\n 3.2 Pacing and Spacing: Bo and Wohlert’s Louisiana Museum of Modern Art\n A Museum without Walls\n Landscape Configuration\n Landscape Movement\n Viewing Distance and Angle\n 3.3 Wandering Sites: Wang Shu’s Hangzhou Guest House\n The Time of Spatial Passage\n Non-synchronic Passage\n Distances and Depth\n Depth and Duration\n 3.4 Pedestrian Rhythms: Álvaro Siza’s Swimming Pools at Leça da Palmeira\n Pacing\n Opportune Beginnings\n Still There\nPart Four The Time of the Project\n 4.1 Past and Present Possibilities: Leonardo da Vinci’s Adoration of the Magi\n The Time of Given Conditions\n Project vs. Product\n Project Making Prospects\n Anachronisms\n 4.2 Proposing Precedents: Rafael Moneo’s Museo Nacional de Arte Romano de Mérida\n Converging Parallels\n Time and Again\n No Longer and Not Yet\n 4.3 Recalling Future Projects: Pezo von Ellrichshausen’s Poli House\n From Time to Time\n Bloodlines\n Intentions\n Two as One\n Recollection Forward\n 4.4 Project Rhythms: Álvaro Siza’s Swimming Pools at Leça da Palmeira\n Before the Beginning\n Is That How Projects Begin, Destructively?\nNotes\nBibliography\nIndex