دانلود کتاب Capturing the Senses: Digital Methods for Sensory Archaeologies

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Preface
Acknowledgements
Contents
Contributors
Introduction: Digital Methods and Experiential Approaches to the Past
1 The Role of GIS-based Visual Studies/Space Syntax Analysis
2 VR-based Applications
3 Where Are We Now?
References
More than Modal? Exploring Affect, Affordance, Invitation and Solicitation
1 Introduction
2 Houses, Squares and Circles
3 Affect and Affordance
4 Exploring Affective Atmospheres
5 Methodology
5.1 Analysis 1—Catching a Glimpse of the Founder’s House
5.2 Analysis 2—But What is Being Glimpsed?
5.3 Analysis 3—On the Outside, Looking in
5.4 Analysis 4—Being Affected
6 Conclusions
References
The Senses & the Sacred: A Multisensory and Digital Approach to Examining an Ancient Egyptian Funerary Landscape
1 Introduction
2 Sensory Archaeology and Egyptology
3 The Human Sensorium in Pharaonic Egypt
4 The Egyptian ‘Funerary Landscape’ and Digital Archaeology
5 A Multisensory and Digital Exploration of the Saqqara Funerary Landscape in the New Kingdom
5.1 Funerals
5.2 Elite Mortuary Cults at Saqqara
6 Conclusion
References
Kinesthetic Archaeologies: Digital Methods and the Reconstruction of Movement
1 Introduction: The Idea of “Retro-Documentation”
2 Digital Capture, Digital Documentation
3 Movement and the Human Record
4 Recording Movement in Print
5 Movement and GIS
6 Textual Approaches
7 Movement: The Medium Suppresses the Message
8 Retro-Documentation and Standards
9 Movement and the Digital
10 Conclusion
References
Exploring Fragmented Data: Environments, People and the Senses in Virtual Reality
1 Introduction
2 Broken Data and Multivocality
3 Critical Senses
4 Dynamic Cyberspace as Formative Resource
5 Conclusions
References
Combining 3D Visibility Analysis and Virtual Acoustics Analysis for the Architectural Study of Ancient Theatres
1 Introduction
2 The Roman Theatres in Crete
3 Methodology
3.1 3D Visibility Analysis
3.2 Virtual Acoustics Analysis
4 Case Study and Results
5 Discussion and Conclusion
References
“Please, Touch the Exhibits”: 3D Archaeology for Experiential Spatialisation
1 Introduction
2 Spatialising Archaeology
3 Digitisation and Virtuality as Heterotopias
4 Digital Databases: Preserving, Validating and Completing the Archaeological Record
4.1 Procedural Facilitation
4.2 The User as a Participant in the Archaeological Record
4.3 Bridging the Gap Between Users and Usability
5 Augmented Reality for Epigraphy and Archaeology, or How to Bring Holograms of Artefacts to the Classroom
5.1 3D Holographic Database
5.2 Reconstituting Physicality Through 3D Printing
6 Conclusion
References
Sailing Along the Coast of North Etruria: Ancient Perceptions Versus Multidisciplinary Coastal Landscape Studies
1 Research Overview
1.1 North Coastal Etruria: Palaeogeography, Landscapes and Settlements
2 Ancient Perceptions: Strabo (5.2.5, 222C)
3 Ancient Perceptions: Claudius Rutilius Namatianus
3.1 Falesia and Populonia
3.2 Vada Volaterrana
3.3 Pisa, Portus Pisanus and Livorno
4 Portus Pisanus: Archaeological Evidence
4.1 Portus Pisanus: Claudius Rutilius Namatianus versus Palaeogeographic and Archaeological Evidence of the Site
4.2 Satellite Remote Sensing Contribution
4.3 GIS-Based Legacy Data Integration
4.4 Geophysical Prospecting
4.5 Geoarchaeology Contribution
5 From Ancient Perception to Archaeological Interpretation: A Multidisciplinary Investigation
References
Multisensory Experiences in Archaeological Landscapes—Sound, Vision, and Movement in GIS and Virtual Reality
1 Introduction
2 Research Overview
3 Theoretical Foundations
4 Digital Affordances and Material Culture: GIS and VR
5 Case Study: Ancient Maya
5.1 Perspectives of Sight, Sound, and Movement
5.2 Ancient Maya City of Copán
6 Materials (Data Sources)
6.1 Data Acquisition and Integration
7 Methods
7.1 Soundshed Analysis Toolbox
7.2 Project Specific Environmental Inputs
8 Results and Analysis
8.1 GIS Results and Interpretation
9 Conclusions and Future Direction
References
Home-Making in 17th Century Amsterdam: A 3D Reconstruction to Investigate Visual Cues in the Entrance Hall of Pieter de Graeff (1638–1707)
1 Introduction
2 At Home at Herengracht 573
3 The Entrance Hall: Sources for a Reconstruction Hypothesis
3.1 Almanacs, Inventory, and Physical Remains
3.2 Visual References for 17th Century Dutch Interiors
4 “Materializing” Household Objects in a 3D Digital Model
5 Discussion
References
The Embodied City: A Method for Multisensory Mapping
1 Embodied City Mapping
2 Embodied City Map Analysis
3 Possible Application to Past Cities
4 Conclusions
References