دانلود کتاب Character as Form

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Title Page\nCopyright Page\nContents\nIntroduction\n Confession\n How I wrote this book\n Another way I wrote this book\n How to use this book\n Another way to use this book\n The riddle of form and style\n Form mistaken for style\n Style mistaken for form\n Perfection assailed by repetition\n Style defended against form\nChapter 1: Many is not more than one\n What a character is\n “Let me play the fool”\n What a character is\n Company\n Many is not more than one\n Proper names belong to everyone\n There is no zero\n The wealth of characters\n Hats are emotional\n The price of characters\n The twofold truth of character in performance\n What characters can’t do\n Characters lounge\n The spider community\n Why the sky is blue\nChapter 2: Banish the world\n Negative anthropology\n Softer signs\n Poets are always gay\n Yes, Dwight, like Bill in New York City, is a flirt\n Every anvil\n A hereafter in the here\n Trenton makes/the world takes\n I hold the world\n Excursus: Why Latour’s actor-network theory, although great for studying things in the public world, is a dangerous method for literary studies\n With his hated hand\n The breath of kings\n How to banish the world\n Timon’s epitaph\n A heart in winter\nChapter 3: What fiction means\n Decorum or discretion?\n For he who lives more lives than one/more deaths than one must die\n An example of the dominance of form\n Wilde in the age of ideals\n The necessary idealizing of you reality\n The legs/of the twentieth century\n The ideal thing\n The failure of portraiture\n Invasion of the body snatchers\n The Richardsonian lie\n Real or personal?\n Emotional fuckwittage\n Depicturing the gothic novel\nChapter 4: The wish to be an object\n Nature\'s shyness\n Adrian’s footstool\n Tamburlaine’s footstool, part 1\n Tamburlaine’s footstool, part 2\n Neither inside nor outside\n Toys and spoons\n Sofas, chairs, desks, footstools\nAcknowledgments\nWorks Cited\nIndex