دانلود کتاب Charles-Simon Catel's Treatise on Harmony and the Disciplining of Harmony at the Early Paris Conservatory

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Cover
Half Title
Title Page
Copyright Page
Contents
Note on Figured Bass Symbols
Acknowledgments
Introduction
Notes
Part I: Institutional Power and Disciplinary Pretexts
Chapter 1: The Institutional Authorization of Catel’s Harmonic Theory and the Reconciliation of Fundamental Bass Theory with Figured Bass Practice
Catel’s Compilation of Sources
Rameau’s Final Cadence
Notes
Chapter 2: The Institutional Sources of Catel’s (Contested) Authority
The Scandal of Catel’s Sémiramis: Harmony, National Music Education, and the Institutional Politics of Opera
Catel and Sarrette: Military Friendship and Patronage at the Early Conservatory
Conclusion
Notes
Part II: The Cours d’Harmonie as Coordination of Disciplinary Technologies
Chapter 3: Disciplinary Networks: Sources and Structures of the Cours d’Harmonie
Notes
Chapter 4: Reconstructing the Theory, Pedagogy, and Method of the Early Cours d’Harmonie
Pedagogy and Method for Realizing “Cadences et Marches Consonants” (Uses of Triadic Harmony)
Pedagogy and Method for Realizing Modulations (Uses of “Natural Dissonances” or Dominant Sonorities)
Pedagogy and Method for Realizing “Cadences et Marches Dissonantes” (Uses of Artificial Dissonances)
Pedagogy for Broderies and a Rudimentary Method for Imitative Counterpoint: Preparing for the Concours d’harmonie
Notes
Chapter 5: Harmony’s Boundaries and the Internalization of Disciplinary Norms
Harmony, Accompaniment, and Harmonie Femmes
Harmony, Counterpoint, and Deeply Embedded Cadential Method
Conclusions
Notes
Part III: The Transmission and Midcentury Revision of Disciplinary (and Generic) Structures
Chapter 6: Tonalité, Modulation, and Alteration: Catel Reception at Midcentury
Fétis’ Evolving Critique of Catel and the Changing Significance of the Harmonie Isolée
Beyond Catel: Midcentury Approaches to Modulation and Altered Chords by Conservatory Theorists
Harmony’s Second Disciplinary Network
Conservatory Approaches to Diatonic Modulation
Conservatory Approaches to Chromatic Modulation
Notes
Chapter 7: Tonal Redaction as Generic Convention in the Traité Complet Théorique et Pratique
Sources of Harmonic Theory and Tonal Redactions in Traités Complets
The Shifting Milieu of Tonality’s Production and Consumption
Conclusion
Notes
Conclusion
Appendix A
Appendix B
Appendix C
Bibliography
Index
About the Author