دانلود کتاب Chinese-Language Film: Historiography, Poetics, Politics

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Contents\nAcknowledgments\nNote on Romanization\nIntroduction: Mapping the Field of Chinese-Language Cinema\nPART ONE Historiography, Periodization, Trends\nCHAPTER ONE Shadow Opera Toward a New Archaeology of the Chinese Cinema\nCHAPTER TWO Bodies in the Air: The Magic of Science and the Fate of the Early \"Martial Arts\" Film in China\nCHAPTER THREE Postsadness Taiwan New Cinema: Eat, Drink, Everyman, Everywoman\nCHAPTER FOUR Working from the Margins: Urban Cinema and Independent Directors in Contemporary China\nCHAPTER FIVE Chinese Film Culture at the End of the Twentieth Century: The Case of Not One Less by Zhang Yimou\nPART TWO Poetics, Directors, Styles\nCHAPTER SIX Transcultural Spaces Toward a Poetics of Chinese Film\nCHAPTER SEVEN Poetics and Politics of Hou Hsiao-hsien\'s Films\nCHAPTER EIGHT Jia Zhangke\'s Cinematic Trilogy: A Journey across the Ruins of Post-Mao China\nCHAPTER NINE Novels into Film: Liu Yichang\'s Tête-Bêche and Wong Kar-wai\'s In the Mood for Love\nCHAPTER TEN Crouching Tiger, Hidden Dragon, Bouncing Angels: Hollywood, Taiwan, Hong Kong, and Transnational Cinema\nPART THREE Politics, Nationhood, Globalization\nCHAPTER ELEVEN Borrowing Postcolonial Wu Nianzhen\'s Dou-san and the Memory Mine\nCHAPTER TWELVE Locating Feminine Writing in Taiwan Cinema: A Study of Yang Hui-shan\'s Body and Sylvia Chang\'s Siao\nCHAPTER THIRTEEN Fists of Legend Constructing Chinese Identity in the Hong Kong Cinema\nCHAPTER FOURTEEN Hong Kong Diaspora Film and Transnational Television Drama From Homecoming to Exile to Flexible Citizenship\nCHAPTER FIFTEEN Hybridity and (G)local Identity in Postcolonial Hong Kong Cinema\nCHAPTER SIXTEEN Global Modernity, Postmodern Singapore, and the Cinema of Eric Khoo\nFilmography: Selected Chinese-Language Films\nChinese Glossary\nBibliography\nNotes on Contributors\nIndex