دانلود کتاب Cinema's Military Industrial Complex

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CONTENTS\nList of Illustrations\nAcknowledgments\n1. The Military’s Cinema Complex\nPART ONE. THE MILITARY’S CINEMA APPARATUS\n2. Experimental Viewing Protocols: Film Projection and the American Military\n3. Mobilizing the Moving Image: Movie Machines at US Military Bases and Veterans’ Hospitals during World War II\n4. Through America’s Eyes: Cinerama and the Cold War\n5. An Army of Theaters: Military, Technological, and Industrial Change in US Army Motion-Picture Exhibition\nPART TWO. STRATEGIES OF VIEWING\n6. War in Peace: The American Legion and the Continuing Service of Film\n7. Managing the Trauma of Labor: Military Psychiatric Cinema in World War II\n8. The Cinema Intelligence Apparatus: Gregory Bateson, the Museum of Modern Art Film Library, and the Intelligence Work of Film Studies during World War II\n9. Epistemology of the Checkpoint: Gillo Pontecorvo’s Battle of Algiers and the Doctrine of Counterinsurgency\nPART THREE. MILITARY-MADE MOVIES\n10. Between the Front Lines: Military Training Films, Machine Guns, and the Great War\n11. From Wartime Instruction to Superpower Cinema: Maintaining the Military-Industrial Documentary\n12. Framing the Bomb in the West: The View from Lookout Mountain\n13. Occupation, Diplomacy, and the Moving Image: The US Army as Cultural Interlocutor in Korea, 1945–1948\n14. Shots Made around the World: DASPO’s Documentation of the Vietnam War\nPART FOUR. THE MILITARY AND ITS COLLABORATORS\n15. War, Media, and the Security of State and Capital\n16. Star Testimonies: World War and the Cultural Politics of Authority\n17. “A Treacherous Tightrope”: The Office of War Information, Psychological Warfare, and Film Distribution in Liberated Europe\n18. “A Campaign of Truth”: Marshall Plan Films in Greece\nBibliography\nList of Contributors\nIndex