دانلود کتاب Cinematic Homecomings: Exile and Return in Transnational Cinema

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Cover\nHalf-title\nTitle\nCopyright\nContents\nAcknowledgments\nIntroduction\n Part one: Transatlantic modes of production\n Part two: Nostalgic visions, imagined homelands\n Part three: Exilic subjectivity and the politics of return\n Part four: Revisioning the past\n Part five: The roving gaze\n Notes\n Works cited\nPart 1: Transatlantic Modes of Production\n 1 Come Back to Erin: Themes of Exile and Return in the “O’Kalem” Films\n Introduction: Life cramped in one room\n Blazing the Trail — to Ireland\n Far from Erin’s Isle\n For Ireland’s Sake\n On Irish soil\n Conclusion\n Notes\n Works cited\n 2 Alexander Korda and Peter Lorre: Central European Exile and the Illusion of Return\n Ambivalence, anti-Semitism, and antifascism\n Alexander Korda\n Peter Lorre\n Notes\n Works cited\n From Blacklists to Black Films: The Hollywood Radicals Return Home\n Introduction\n Hollywood’s radicals\n “An Up Tight Time”\n Claudine\n Themes, style, and genre\n Conclusion\n Notes\n Works cited\nPart 2: Nostalgic Visions, Imagined Homelands\n 4 Between Longing and Belonging: Diasporic Return in Contemporary South Korean Cinema\n To return to a home that no longer exists\n After the division of the homeland: Diasporic nationalism in Our School\n If I can choose My Father (land): A Korean adoptee’s homecoming experience\n Return to exile\n Notes\n Works cited\n 5 Three Ages of Russian Nostalgia: Nostalghia, Window to Paris, and Brother 2\n Subjects of nostalgia: Protagonists and their plots\n The other as the place of alienation\n Types of nostalgia\n Temptations of the other and agents of homeland\n Doubles and the problem of nonrecognition\n Conclusion\n Notes\n Works cited\n 6 Beyond Return in Turkish Diasporic Cinema\n Journeys : Fernweh/hajj/ the Western frontier\n Soul Kitchen\n Head On\n Turquoise\n Conclusion\n Notes\n Works cited\nPart 3: Exilic Subjectivity and the Politics of Return\n 7 Staying Home: Cuban Exile Film from Within\n (Trans)national allegory\n Influences and intertextuality\n Imagining emigration\n Notes\n Works cited\n 8 Chilean Exile Cinema and its Homecoming Documentaries\n Before exile\n In exile, or, networks of solidarity\n Chilean exile cinema and the question of return\n The Return of a Library Lover\n Fragments from an Unfinished Diary\n Conclusion\n Notes\n Works cited\n 9 Burning Straw Men: The 1979 Revolution and Bahman Farmanara’s Stubborn Cosmopolitanism\n Always political: Censorship and “New Waves” in Iranian cinema\n Tall Shadows of the Wind and the negotiation of censorship\n Smell of Camphor, Fragrance of Jasmine and Farmanara’s homecoming\n Cinematic homecoming as the production of minorities\n Notes\n Works cited\nPart 4: Revisioning the Past\n 10 Returning to Rubble: Fritz Kortner’s The Last Illusion\n “Inner” and “Outer” emigration\n A moral call\n Troubled identities\n Diaspora, assimilation, and exile\n An odyssey toward death\n Notes\n Works cited\n 11 Healing Journeys: Return as Therapy in Walk on Water\n Walk on Water : Secrets, discoveries, and healing through trauma\n Trauma and recovery: Return to exile and returning home\n Israelis, Germans, and negative symbiosis\n Beyond Zion’s “New Jew” : Rewriting Altneuland\n Conclusion\n Notes\n Works cited\nPart 5: The Roving Gaze\n 12 Narratives of Return in the Films of Ousmane Sembene and Djibril Diop Mambety\n The politics of return: An African context\n “Burning an Illusion” : The return journey in Black Girl and Touki-Bouki\n Figures of return\n Conclusion\n Notes\n Works cited\n 13 Sleeping with Strangers: Queering Home and Identity in I Don’t Want to Sleep Alone\n Introduction\n Imperatives of being a stranger\n Estrangement of home-space\n Connecting through food and liquid\n Political communion on a drifting mattress\n Conclusion\n Notes\n Works cited\n 14 A Moroccan Homecoming: The Fabulation of Family and Home in Izza Génini’s Retrouver Oulad Moumen\n Introduction\n Moroccan cinema and censorship\n New Moroccan cinema in the 1990s\n Moroccan women and documentary\n Retrouver Oulad Moumen\n Conclusion\n Notes\n Works cited\n 15 Zero Degrees of Separation: Post-Exilic Return in Denis Villeneuve’s Incendies\n From play to film\n Oedipal quests\n Spatial reconfigurations\n Exoticizing cultural difference\n Notes\n Works cited\nAfterword\n Notes\n Works cited\n Filmography\nContributors\nIndex