Cinematic Homecomings: Exile and Return in Transnational Cinema

دانلود کتاب Cinematic Homecomings: Exile and Return in Transnational Cinema

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کتاب بازگشت های سینمایی به خانه: تبعید و بازگشت در سینمای فراملی نسخه زبان اصلی

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توضیحاتی در مورد کتاب Cinematic Homecomings: Exile and Return in Transnational Cinema

نام کتاب : Cinematic Homecomings: Exile and Return in Transnational Cinema
عنوان ترجمه شده به فارسی : بازگشت های سینمایی به خانه: تبعید و بازگشت در سینمای فراملی
سری :
نویسندگان :
ناشر : Bloomsbury Academic
سال نشر : 2014
تعداد صفحات : 337
ISBN (شابک) : 1441101071 , 9781441101075
زبان کتاب : English
فرمت کتاب : pdf
حجم کتاب : 1 مگابایت



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Title Page
Copyright Page
Contents
Acknowledgments
Introduction
Part one: Transatlantic modes of production
Part two: Nostalgic visions, imagined homelands
Part three: Exilic subjectivity and the politics of return
Part four: Revisioning the past
Part five: The roving gaze
Notes
Works cited
Part 1 Transatlantic Modes of Production
Chapter 1 Come Back to Erin: Themes of Exile and Return in the “O’Kalem” Films
Introduction: Life cramped in one room
Blazing the Trail—to Ireland
Far from Erin’s Isle
For Ireland’s Sake
On Irish soil
Conclusion
Notes
Works cited
Chapter 2 Alexander Korda and Peter Lorre: Central European Exile and the Illusion of Return
Ambivalence, anti-Semitism, and antifascism
Alexander Korda
Peter Lorre
Notes
Works cited
Chapter 3 From Blacklists to Black Films: The Hollywood Radicals Return Home
Introduction
Hollywood’s radicals
“An Up Tight Time”
Claudine
Themes, style, and genre
Conclusion
Notes
Works cited
Part 2 Nostalgic Visions, Imagined Homelands
Chapter 4 Between Longing and Belonging: Diasporic Return in Contemporary South Korean Cinema
To return to a home that no longer exists
After the division of the homeland: Diasporic nationalism in Our School
If I can choose My Father(land): A Korean adoptee’s homecoming experience
Return to exile
Notes
Works cited
Chapter 5 Three Ages of Russian Nostalgia: Nostalghia, Window to Paris, and Brother 2
Subjects of nostalgia: Protagonists and their plots
The other as the place of alienation
Types of nostalgia
Temptations of the other and agents of homeland
Doubles and the problem of nonrecognition
Conclusion
Notes
Works cited
Chapter 6 Beyond Return in Turkish Diasporic Cinema
Journeys: Fernweh/hajj/the Western frontier
Soul Kitchen
Head On
Turquoise
Conclusion
Notes
Works cited
Part 3 Exilic Subjectivity and the Politics of Return
Chapter 7 Staying Home: Cuban Exile Film from Within
(Trans)national allegory
Influences and intertextuality
Imagining emigration
Notes
Works cited
Chapter 8 Chilean Exile Cinema and its Homecoming Documentaries
Before exile
In exile, or, networks of solidarity
Chilean exile cinema and the question of return
The Return of a Library Lover
Fragments from an Unfinished Diary
Conclusion
Notes
Works cited
Chapter 9 Burning Straw Men: The 1979 Revolution and Bahman Farmanara’s Stubborn Cosmopolitanism
Always political: Censorship and “New Waves” in Iranian cinema
Tall Shadows of the Wind and the negotiation of censorship
Smell of Camphor, Fragrance of Jasmine and Farmanara’s homecoming
Cinematic homecoming as the production of minorities
Notes
Works cited
Part 4 Revisioning the Past
Chapter 10 Returning to Rubble: Fritz Kortner’s The Last Illusion
“Inner” and “Outer” emigration
A moral call
Troubled identities
Diaspora, assimilation, and exile
An odyssey toward death
Notes
Works cited
Chapter 11 Healing Journeys: Return as Therapy in Walk on Water
Walk on Water: Secrets, discoveries, and healing through trauma
Trauma and recovery: Return to exile and returning home
Israelis, Germans, and negative symbiosis
Beyond Zion’s “New Jew”: Rewriting Altneuland
Conclusion
Notes
Works cited
Part 5 The Roving Gaze
Chapter 12 Narratives of Return in the Films of Ousmane Sembene and Djibril Diop Mambety
The politics of return: An African context
“Burning an Illusion”: The return journey in Black Girl and Touki-Bouki19
Figures of return
Conclusion
Notes
Works cited
Chapter 13 Sleeping with Strangers: Queering Home and Identity in I Don’t Want to Sleep Alone
Introduction
Imperatives of being a stranger
Estrangement of home-space
Connecting through food and liquid
Political communion on a drifting mattress
Conclusion
Notes
Works cited
Chapter 14 A Moroccan Homecoming: The Fabulation of Family and Home in Izza Génini’s Retrouver Oulad Moumen
Introduction
Moroccan cinema and censorship
New Moroccan cinema in the 1990s
Moroccan women and documentary
Retrouver Oulad Moumen
Conclusion
Notes
Works cited
Chapter 15 Zero Degrees of Separation: Post-Exilic Return in Denis Villeneuve’s Incendies
From play to film
Oedipal quests
Spatial reconfigurations
Exoticizing cultural difference
Notes
Works cited
Afterword
The Unattainable Chronotope: Exile in Global Cinema
Notes
Works cited
Filmography
Contributors
Index




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