دانلود کتاب Color Theory: A Critical Introduction

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Cover page\nHalftitle page\nTitle page\nCopyright page\nCONTENTS\nILLUSTRATIONS\nACKNOWLEDGMENTS\n About the cover\nINTRODUCTION: COLOR IN CONTEXT—PINK IS PRIMARY\n Color activities\n Of paradigm shifts\n Critical principles\n What is color?\n References\nCHAPTER 1 NATURAL RESOURCES AND TRADE: COLOR USE IN TRADITIONAL CULTURES\n Faber Birren\n Dark and light\n Red\n Environment and trade\n Mandalas\n Race, gender, and class\n Color Use Activity 1.1\n Other colors—color as substance\n Berlin and Kay, and the absence of blue\n Ancient Egyptian color\n Esoteric color and the decline of the senses\n Color Use Activity 1.2\n Conclusion\n References\nCHAPTER 2 KNOWING AT A DISTANCE: COLOR PROBLEMS IN ANCIENT GREEK THOUGHT\n Introduction\n General notes on color in ancient Greek philosophy\n Attitudes to color in ancient Greek culture\n Pre-Socratic philosophy, a brief overview\n Is/Becomes\n The opposites\n Color Use Activity 2.1\n The achromatic imagination\n The invalidity of the senses\n Ancient Greek epistemology\n Optics\n Conclusions about Pre-Socratic color theory\n Color Use Activity 2.2\n Socrates and the Sophists\n Plato\n Aristotle\n Color use in Greek art\n Color Use Activity 2.3\n Alternative narratives about Greek culture\n Conclusion\n References\nCHAPTER 3 STAINED GLASS AND ILLUMINATIONS: EUROPEAN AND ISLAMIC COLOR THEORY BEFORE GALILEO\n Differing color needs, differing color applications\n The Byzantine period\n Iconoclasts and iconophiles\n Color use in Byzantine art\n Color Use Activity 3.1\n Islam\n Color in Islamic art and architecture\n Medieval color theory\n Color use in medieval art\n Color Use Activity 3.2\n Renaissance color theory\n Alberti\n Vasari\n Color in Renaissance art\n Color Use Activity 3.3\n Leonardo\n Conclusion\n References\nCHAPTER 4 PRISMS, MIRRORS, AND LENSES: THE NEWTONIAN REVOLUTION\n The scientific revolution\n Galileo on color\n Rationalism\n Empiricism\n Newton’s Opticks\n Color Use Activity 4.1\n Cultural impact of Newton’s Opticks\n British empiricism after Locke\n Color Activity 4.2\n Color use during the scientific revolution\n Conclusion\n References\nCHAPTER 5 ROMANTICISM AND CHROMOPHOBIA: THE CREATION OF COLOR THEORY IN THE NINETEENTH CENTURY\n Poetry in the Romantic tradition\n Ideologies of the nineteenth century\n Goethe as scientist\n Goethe’s Farbenlehre\n Color Use Activity 5.1\n The evolution of color models\n Color theory in the wake of Goethe\n Color use during the Industrial Revolution\n The invention of photography\n Color Use Activity 5.2\n Chromolithography and mass visual culture\n The Crystal Palace and the Grammar of Ornament\n Color use in painting: Romanticism and other alternatives to the academy\n Conclusion\n References\nCHAPTER 6 THE SCIENCE OF THE INVISIBLE: COLOR CLASSIFICATION SYSTEMS AND SPIRITUAL COLOR\n Color nomenclature for naturalists\n Contending with disciplinary fragmentation\n Early childhood education during the Industrial Revolution\n Smuttynose Island and the origins of the Munsell color system\n The Munsell color sphere and its successors\n Evolving uses of the Munsell color system\n Colorimetry and color forecasting\n Color Use Activity 6.1\n Spiritualism and the occult\n Rudolf Steiner\n Steiner on art and color\n Occult theory, science, color, and race\n Claude Bragdon\n Color Use Activity 6.2\n Color use: culture and counterculture\n Color use: from Manet to the Fauves\n Color use on the Electric Avenue\n Hilma af Klint and spiritual color use\n Conclusion\n References\nCHAPTER 7 HIGH MODERN: COLOR USE AT THE BAUHAUS AND IN ABSTRACT EXPRESSIONISM\n Before the Bauhaus\n The Bauhaus idea\n Bauhaus terminology\n Color Use Activity 7.1\n The “Basic Course”\n Itten’s color whee\n Ostwald\n Klee\n The dadaist counter-narrative\n The surrealist counter-narrative\n Color Use Activity 7.2\n Early modern color use\n Migration to the US\n Black Mountain College\n Albers\n Color Use Activity 7.3\n Interaction of color\n Hofmann\n Pollock\n Greenberg\n Color Use Activity 7.4\n Photography and color\n Architecture and color\n High modern color theory\n Conclusion\n References\nCHAPTER 8 POSTMODERN: CONTEMPORARY DIRECTIONS IN COLOR USE\n Benjamin and color in the age of mechanical reproduction\n Ludwig Wittgenstein\n Wittgenstein on color\n Language and color\n Color science in the age of color standardization\n Chirimuuta\n Color and information\n Color use through the turn of the millennium\n Color in the age of information\n Color Use Activity 8.1\n Postmodernism and post-formal color\n Conceptualism in postmodern art: pop and feminist art\n Contemporary exploration of color as racial signifi er\n Contemporary exploration of color science and technology\n Vexillogical color\n Color Use Activity 8.2\n The modernist stance among diverse perspectives\n Approaches to color use\n Commencement\n References\nGLOSSARY\nINDEX