دانلود کتاب Computers in Language Research. (II) Computers in Language Research 2: Part I: Formalization in Literary and Discourse Analysis. Part II: Notating the Language of Music, and the (Pause) Rhythms of Speech

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Part I: Formalization in literary and discourse analysis\nScience and human language\nComputer criticism\n1. Introduction\n2. Textual processing\n3.1 Computer criticism: Materialist view of a text\n3.2 Conventional criticism: Materialist view of a text\n4.1 Computer criticism: Concepts of structure\n4.2 Conventional criticism: Concepts of structure\n5. Computer criticism: Temporal and behavioral extensions\n6. Computer criticism: Interpretation of form\nNotes\nReferences\nMachine translation and the artificial intelligence paradigm of language processes\nPreface\n1. Some background\n2. Winograd’s understanding system\n3. Some discussion of SHRDLU\n4. Second generation systems\n4.1 Charniak\n4.2 Colby\n4.3 Simmons\n4.4 Schank\n4.5 Wilks\n5. Some comparisons and contrasts\n5.1 Level of representation\n5.2 Centrality\n5.3 Phenomenological level\n5.4 Decoupling\n5.5 Availability of surface structure\n5.6 Application\n5.7 Forward inference\n5.8 The justification of systems\n6. English\nNotes\nReferences\nBelief systems and language understanding\n1. The role of beliefs in natural language understanding\n2. A theory of personal causation\n3. Social actions\n3.1 Aspects of actions\n3.2 REQUEST\n4. Pattern of action\n4.1 Types of patterns in social situations\n4.2 Social action paradigms\n4.3 The social action paradigm *REQUEST*\n5. The use of belief systems knowledge for language understanding\nAcknowledgements\nNotes\nReferences\nAppendix I: Notation conventions\nAppendix II: Social actions\nPart II: Notating the language of music, and the (pause) rhythms of speech\nEncoding\nNotes\nReferences\nThe DARMS Project: implementation of an artificial language for the representation of music\n1. Introduction: music, mathematics and language\n1.1 Historical precedents\n1.2 Twentieth-century viewpoints\n2. History of the DARMS Project\n2.1 Automated music printing\n2.2 Musicological applications\n3. Summary of DARMS grammar and syntax\n3.1 Some fundamental concepts: tokens and facilities\n3.2 DARMS musical symbols: codes for note/rest information\n3.3 Codes for other musical symbols\n3.4 Special codes\n3.5 Summary of DARMS abbreviations and defaults\n4. Psycho-linguistic problems and considerations in the implementation of DARMS\n5. Conclusion\nNotes\nReferences\nPausology\n1. Introduction\n2. The early period of research (up until 1945)\n3. The period from 1945 to 1950\n4. The period from 1951 to 1960\n5. The period from 1961 to 1970\n6. The schools\n7. Recent research (from 1971 to the present)\n8. Summary and conclusions\n8.1 Multidetermination\n8.2 Methodological defects\n8.3 Ahistoricity\n8.4 Theory\n8.5 Some perspectives\nNote\nReferences