دانلود کتاب Contemporary Cinema and Neoliberal Ideology

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Cover
Half Title
Title Page
Copyright Page
Table of contents
List of Figures
Notes on Contributors
Introduction
The end of history or a new beginning?
Neoliberalism and its consequences
Neoliberalism and cinema
Structure of the collection and chapter descriptions
Notes
Bibliography
Part 1 Political economy of neoliberalism and its discontents
1 Team Loach and Sixteen Films: Authorship, collaboration, leadership (and football)1
Theories of authorship
Team Loach
Teams in the films
Conclusion
Notes
Bibliography
2 US independent cinema and the capitalist mode of production
What is US independent cinema?
Neoliberalism, modes of production and modes of life
Freedom from commercial intentions?
US independent cinema, individualism and the neoliberal worldview
Notes
Bibliography
3 The lure of becoming cinema: The role of the internet in amateur and independent filmmaking
Attention seeking
The internet as gatekeeper to the fleshworld
Favouring those who are already successful
Taking the amateur’s money
Withoutachance? Film festival submission sites
‘YouTube is not legit’
The new hope?
References
4 Svetlana Baskova’s response to Russian national neoliberalism in For Marx …
Russian cinema and neoliberalism
The production of For Marx …
Non-cinema: darkness in For Marx …
Reception of For Marx …
Bibliography
Part 2 Neoliberal winners and losers
5 The rise of the entrepreneur in Jia Zhangke’s Words of a Journey
Historical context
Narratives of success
E-tales
Self-help and suzhi
References
6 Capitalist realism in European films about debt
Casino capitalism in Rogue Trader
Rushing to the West via Debt
Circularity of debt in Time Out
Conclusions
References
7 Bypass, obscure forces and ontological anxiety
Aesthetics and politics
References
8 Aggressive prosperity, violent austerity in Standing Aside, Watching
The austerity years and the 2015 referendum
‘The future fascists will be wearing slippers’
Conclusions
Notes
Bibliography
9 Multiplexing Marx in contemporary American cinema
Marxism and cinema
From fear to farce
Communism for dummies
Marxism for the ‘Google generation’
Conclusions
Bibliography
Part 3 Love and sexual identities under neoliberalism
10 Hedges of Manhattan: The disquieting charm of the haute bourgeoisie in Jonathan Demme’s Rachel Getting Married
Connecticut liberalism
The contradictions of the suburban condition
Shiva the destroyer
Conclusion: the ultimate ruler
Notes
References
11 Corporations of feelings: Romantic comedy in the age of neoliberalism
Neoliberalism and romantic comedy: friends with benefits
How can you marry a woman and not lose your male friends?
‘Corporate sisterhood’
‘Everyone can love’ (and watch romantic comedies): generic adjustments and spectatorship
Conclusion
Bibliography
12 Why is everyone not falling in love?: Love, sex and neoliberalism in film adaptations of Bret Easton Ellis’ works
Ellis and neoliberalism
Romantic love
Love as use of erotic capital
Sex as liberation
The death of love
Conclusion
Note
References
13 Cinema, sex tourism and globalisation in American and European cinema
Female sex tourism: a contested object
Globalisation and embodied affectivity
Romance, chick flicks and postfeminist subjects
Emotional labour and bounded authenticity
Commodified black bodies and the erasure of history
Conclusion
References
14 Polymorphous consumption: Eytan Fox’s The Bubble as gated community
Gay sexuality and privilege
Ethnic identity and social class
Life in the bubble – liberalism and neoliberalism
Aesthetic cosmopolitanism: gay Israel and the world
Notes
Bibliography
Index