دانلود کتاب Contemporary Greek Film Cultures from 1990 to the Present (New Studies in European Cinema)

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Cover
Contents
Figures
Acknowledgements
Introduction (Tonia Kazakopoulou)
Works Cited
1 Short Voyages to the Land of Gregarious Animals: On Political Aesthesia in Sto Lyko and Sweetgrass (Ulrich Meurer / Maria Oikonomou)
The End (One)
The Land of the People
Truth
Displacement Activity
The Animal: Sidewards/Downwards
Diagram
Lass mich in Ruhe meine Schafe weiden
The End (Two)
Works Cited
2 Constructing the Urban Cinematic Landscape: Theo Angelopoulos’s Thessaloniki (Stavros Alifragkis)
Introduction
The City of Poetic Contemplation: Thessaloniki in Voyage to Cythera
The City of Romantic Escapism: Thessaloniki in the Trilogy: The Weeping Meadow
Angelopoulos’s Filmic City: A Composite Landscape
Hypertopos
Urban waiting rooms
Epilogue: The Mythical Landscape of the City
Acknowledgements
Works Cited
3 The Spatio-Temporality of the Avant-Gardes: Feminist Avant-Garde U-Topoi in Greek Cinema from Transition to Crisis (Rea Walldén)
Spatio-Temporal Questions Regarding Avant-Garde Art and their Application to Cinema
The Example of Avant-Garde Cinema in Greece: Two Turning Points
Feminist Film U-Topoi: Women’s Worlds
Feminist Film U-Topoi: The Temporality of Initiation
Conclusion
Works Cited
4 This Tongue Is Not my Own: Dogtooth, Phobia and the Paternal Metaphor (Ben Tyrer)
Home / School / Garden / Prison
Method and Madness
Psychosis, Perversion, Neurosis
Phobia
The Mythic Function
Castle Doctrine
Les vidéos volées
Bruce, in her Unbearable Splendour
Schrödinger’s Dog
Dogtongue
Works Cited
5 Family, Gender and the Emotional Economy in Tsemberopoulos’s The Enemy Within (Angie Voela)
Introduction
Fathers and Family Values
Louisa’s Silence
Pity, Sympathy and Beyond
Works Cited
6 In the Name of the Father: Rituals of Gender and Democracy in Olga Malea’s First Time Godfather (Tonia Kazakopoulou)
Figures of Speech
Eat, Praise, Vote
It’s all Greek to Alex
In Their Own Terms: Modernizing Discourses
Works Cited
7 No Country for Old Faggots: Exploring Queer Utopias in Panos Koutras’s Strella (Marios Psaras)
Works Cited
8 A Touch of Spice: Postmodern Identities and the Construction of the Other through Film Music (Nick Poulakis)
Works Cited
9 The Albanian in the Room: Revisiting Greek Hospitality in From the Snow and Plato’s Academy (Philip Phillis)
Into the Era of Migration and Transnational Cinema
Imagined Community, Imagined Fatherland: Repatriation of the Ethnic Greek Community in From the Snow
You Will Never Become a Greek: Reinforcing Eurocentrism in Plato’s Academy
Conclusion
Works Cited
10 ‘White Ethnicity’ and the Challenge of Independent Greek Films to Greek Stereotypes in the Global Imaginary (Taso G. Lagos)
Branding and the Global Imaginary
The Tribulations of White Ethnicity
Challenging Greek Stereotypes and White Ethnicity
Is Greece Becoming Less ‘White Ethnic’?
Works Cited
11 Marketing Communications in the Greek Film Industry: Rethinking Contemporary Greek Cinema (Afroditi Nikolaidou)
Introduction: Film Marketing from a Film History Perspective
Greek Film Marketing within Greek Film Studies
End of an Era: ‘Eventizing’ the Release
Safe Sex: Branding as a Theme
From Communication Practices to Strategic Communication: The Post-2008 Years
Love in the End: From Product Placement to Crowdsourcing
The Eternal Return of Antonis Paraskevas: Transmediating the Narrative
Conclusion
Works Cited
12 The ‘New Greek Cinema’ before the ‘Greek New Wave’: The Case of The Only Journey of his Life (Erato Basea)
Introduction
The Only Journey of his Life as a Film Adaptation and a Literary Biopic
A ‘Literary’ Film Adaptation
From the Death of the Author to the Confirmation of the National Auteur
The Confirmation of the ‘New Greek Cinema’ before the ‘Greek New Wave’
Conclusions
Acknowledgements
Works Cited
13 Nikolaidis’s Diptych Those Who Loved a Corpse: A ‘Pasticcio of Pastiches’ (Mikela Fotiou)
Singapore Sling: The Man Who Loved a Corpse
See You in Hell, My Darling: A Necroromance
Conclusion
Note
Works Cited
14 The Ethics of Heterogeneity and Experimentation: Teaching Film Direction in the Film School at the Aristotle University of Thessaloniki (Antoinetta Angelidi with Rea Walldén)
The First University Film School in Greece
Filmmaking Poetics from Learning to Teaching and Back: A Life-Path
The Multiple Meanings of Heterogeneity and Experimentation
Film Direction Modules and Student Films: Experiments and Polyphony
Conclusions for Apprentice Wizards
Works Cited
Legal and administrative texts
Notes on Contributors
Index