دانلود کتاب Creation and Creativity in Indigenous Lowland South America: Anthropological Perspectives

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Contents\nList of Illustrations\nIntroduction\nPart I. Creation and the Original Conditions of Being\nChapter 1. Creation, Creativity, and the Times of Origin: Th e Multiplicity of Transformative and Transcreational Processes in Amazonia and the Isthmo-Colombian Area\nChapter 2. Th e Maize Bringer’s Creative Potentials: How People and Maize Coactively Ensure the Continuous Existence of Maize in the Yukpa Territory of Sokorpa, Northern Colombia\nChapter 3. What Does It Take to Be a Singer? Ritual and Creativity among the Pume People of Venezuela\nPart II. Creating and the Genres of Transmutation\nChapter 4. How to Charge a Voice with Power? Transmuting Nonhuman Creativity into Vocal Creations in the Western Amazon\nChapter 5. From the Songs without Names to the Stories inside a Name: On the Poetic Creation of Normativity among the Ayoreo from the Northern Paraguayan Chaco\nChapter 6. The Chant-Owner and His Music: Musical Creativity and Verbal Artistry in the Ritual Life of an Amazonian Community\nChapter 7. How to Transform the World(s): Generating Transactive Timescapes through Myths, Songs, and Magic Formulas in the Guianas\nPart III. Creativity and Shifting the Context of Signification\nChapter 8. Basketry, Mythology, and Shamanism in the Amerindian Cultures of Venezuela: An Ancestral “Art” Facing Innovation\nChapter 9. Yuruparí’s Disappearance: Women’s Laughter and Organology without Musical Instruments in Vaupés\nConclusion. Creation, Creativity, and the Genres of Transmutation and Transhuman Communication\nIndex