دانلود کتاب Dialogue across Media

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Dialogue across Media
Editorial page
Title page
LCC data
Table of contents
List of Contributors
Introduction
What is Dialogue?
Dialogue and Media
How can we study dialogue? Methodological issues
Chapter outlines
Closing remarks
Refernces
Part I. Creating Characters through Dialogue
Pragmatics and dramatic dialogue
Introduction
Directive speech acts: Resisting Ben’s authority
Informative speech acts: Whose reality gets to be ‘Real’?
Besting Ben in longer transactions: The Kettle scene
Besting Ben: Additional scenes
Discussion and conclusion
References
Dialogue and character in 21st century TV drama
Introduction
Using dialogue in drama
Functions of dialogue in TV drama
Scripting, casting and acting character
Introducing Sherlock Holmes
Extraordinary Sherlock
Autistic Sherlock
Detective Sherlock
Maintaining Sherlock Holmes
Sherlock Breaks Out?
Discussion
References
Look who’s talking
Introduction
Eric Berne and the birth of transactional analysis
Characters and caricatures
Communication – Fleshing out the detail
Stimulus
Response
Ulterior transactions
Rules of communication
Conclusion
References
All Talk
Introduction
Approaches to film dialogue
Paratexts and production
Intertexts and genre
Simulating talk
Interacting for real
Conclusion
References
Part II. Involvement, audience design andsocial interaction
Studying everyday conversation
Introduction
Some basic assumptions and principles
Doing Conversation Analysis: The Case of News Announcements and News Receipts
Some Basic Features of Informings and their Responses
A close analysis of a single extract
Discussion: What Does CA Have to Offer?
References
Appendix
Dialogic interactions on radio
Introduction
The literary interview
The interactional nature of literary radio interviews
Voices, music, quotation: Multimodality in radio interviews
Human interest stories: Catering to a perceived audience
Conclusion
References
Dialogism in journalistic discourse
Introduction
Dialogue and dialogism
Dialogism in journalism
News values and newsworthiness
A discourse stylistic analysis of McEwan’s “Savagely awoken”
Novelistic style and narrative structure
Rhetorical questions
Pronoun use: Not “I” but “We”
Dialogue, dialogism and intertextuality
Objectivity and stance
Conclusion
References
Appendix
Friends and Followers ‘in the Know’
Introduction
Small Stories Research as a Narrative Interactional Paradigm for Social Media
Data and Methods
Analyzing Interaction in Small Stories Research
Projecting Knowing Participation
Positioning Self as Knowing Participant
‘Friends’ in the Know
Doing Knowing Participation on YouTube
Conclusions
References
Dialogue with computers
Introduction
Talking machines in fiction: Hal, Ava and Baymax
Dialogue Games
Reactive dialogue systems
Eliza’s Game
Beyond Eliza
Coda: Automatic harvesting of generation rules
Agenda-driven systems
Fixed-task agenda
Selected-task agenda
Joint-task agenda
Research frontiers
Concluding remarks
References
Part III. Playfulness and narrative functions of dialogue
Dialogue in audiophonic fiction
Audio drama as art
Shaping the dialogue
Three audiophonic adaptations
Modes and functions
References
Dialogue in comics
Introduction
The embodied speech situation in comics
Symbols of the speaker’s mental state and engagement
The bond between the speaker and the utterance
The temporal and rhythmic functions of speech balloons
The narrative function of visual and verbal contrast in scenes of talk
Conclusion
References
Dialogue and interaction in role-playing games
Introduction
Multiple levels of dialogue in table-top role-playing games
Computer role-playing games: rule-systems and fiction
Complexities of massively multiplayer online role-playing
Discussion: Building bridges into the ludic culture
References
Index