دانلود کتاب Displaying Art in the Early Modern Period: Exhibiting Practices and Exhibition Spaces

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Cover
Half Title
Series Information
Title Page
Copyright Page
Table of Contents
Figures
Contributors
Part 1 Introduction
1 Reason for a Research
Introduction
Case Studies and Spaces
Notes
References
Part 2 Public Spaces
2 Trading Spaces: The Display Practices of an Early Modern Auction in Edinburgh
Introduction
The Catalogue
The Consumer
The Auction House
Display
Concluding Thoughts
Notes
References
3 The Discourse of the Salon
Notes
References
4 Royal Spectacles and Social Networks: Early 18th-Century Salon Exhibition Practices
Notes
References
Part 3 Domestic Spaces
5 Exhibition Design, Display Strategies, and Aesthetic Promenades at the Court of Gonzaga
Introduction
Performing the Ritual
Experiencing the Celeste Galleria
Notes
References
6 “A Treasure of Riches and Curiosities”: Politics of Display at the Garde-Meuble De La Couronne, 1680–1789
Notes
References
7 The Display of Metalwork in North European Domestic Spaces in the Fifteenth and Sixteenth Centuries
Displaying and Collecting Metalwork in the Later Middle Ages – The Starting Point
North European Domestic Spaces in the Fifteenth and Sixteenth Centuries
Around the Table
Domestic Objects of Piety
Conclusion
Notes
References
Part 4 Religious and Political Spaces
8 Displaying Art in a Sacred Space: The Artworks for the Triunfo of St. Ferdinand in Seville Cathedral (1671)
Introduction
Scenography, Performativity, and the Re-Signification of Sacred Space
The Triunfo in a Multisensory Exhibition
Performing Exhibition Display?
“Montage Sequence” in the Triumph Plate
Perspectives On the Material Objects
Conclusions
Notes
References
9 The Ephemeral Façade of Cardinal De Solis’s Palace: Aesthetics and Politics in 18th-Century Rome
Introduction
Piazza Colonna, Palazzo Spada-Veralli, and the Ephemeral Façade of 1761
The 1769 Ephemeral Façade
The Political Background Behind the Façade of Cardinal De Solís
Conclusion
Notes
References
Index