دانلود کتاب [Dissertation] Tone patterns of Kelantan Hokkien and related issues in Southern Min tonology

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Acknowledgements ii
Abstract v
Contents vii
List of Figures x
1 Introduction 1
1.1 Kelantan Hokkien as a Southern Min dialect............................................ 3
1.2 The Min dialects .............................................................................................. 9
2 The Tones of Kelantan Hokkien 12
2.1 Min tonal categories ........................................................................................ 13
2.2 Data and Methodology.................................................................................... 15
2.3 Citation Tones of Kelantan Hokkien............................................................. 17
2.3.1 Citation Tone Ia ................................................................................. 19
2.3.2 Citation Tone Ib ................................................................................. 20
2.3.3 Citation Tone IIa ................................................................................. 21
2.3.4 Citation Tone IIIa .............................................................................. 22
2.3.5 Citation Tone IIIb .............................................................................. 23
2.3.6 Composite of citation tones for open-syllable categories . . . . 24
2.3.7 Citation Tone IVa ................................................................................. 25
2.3.8 Citation Tone IVb ............................................................................. 26
2.4 Sandhi tones of Kelantan Hokkien ............................................................... 27
2.4.1 Sandhi tone Ia .................................................................................... 29
2.4.2 Sandhi tone Ib .................................................................................... 30
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2.4.3 Sandhi tone IIa ..................................................................................... 31
2.4.4 Sandhi tone IIIa ................................................................................. 32
2.4.5 Sandhi tone IIIb ................................................................................. 33
2.4.6 Composite of sandhi tones for open-syllable categories............... 34
2.4.7 Sandhi tone IVa ..................................................................................... 35
2.4.8 Sandhi tone IVb ................................................................................. 36
2.4.9 Composite of tones for closed-syllable caterogies......................... 37
3 Tone Sandhi in Fujian Southern Min: A Diachronic Interpretation 38
3.1 Why a diachronic analysis?............................................................................. 40
3.2 Eight tones for Proto-Fujian Southern Min ................................................ 43
3.3 The origin of tone sandhi in Fujian Southern Min ................................... 48
3.4 On the conservative nature of sandhi tones in Fujian Southern Min . 54
3.5 Tonal development in Fujian Southern Min ................................................ 60
3.5.1 Chain shift involving tone categories IIIb, IIIa, IIb, Ib and IIa 62
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3.5.2 The merger of IIb with IIIb ............................................................. 73
3.5.3 Tone simplifications.............................................................................. 77
3.6 Kelantan Hokkien in the Strictly Southern Cluster.................................... 83
4 Tone Domains in Kelantan Hokkien 87
4.1 The Xiamen Data .............................................................................................. 89
4.1.1 Xiamen Tone Group Formation - Chen’s analysis ...................... 90
4.1.2 Xiamen Tone Group Formation - Lin’s analysis ......................... 97
4.2 The Kelantan Hokkien data .......................................................................... 105
4.2.1 Similarities ........................................................................................... 106
4.2.2 Differences.............................................................................................. 108
4.3 A reformulated analysis..................................................................................... 120
4.3.1 Why reformulate?................................................................................. 120
4.3.2 The basic machinery .......................................................................... 124
4.3.3 Movement and tone assignment...................................................... 131
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4.3.4 Sandhi tones on light verbs and clitic-type verbs ......................... 137
5 A Brief Conclusion 147
5.1 Kelantan Hokkien and other Peranakan Hokkien varieties as Chinese dialects................................................................................................................. 148
5.2 On the classification of Fujian Southern Min ............................................ 150
5.3 Tone group formation - are there more types? ......................................... 152
5.4 Sociolinguistic study of tonal variation ...................................................... 154
A Data sources for dialect points 157
Bibliography 160